Over the last few weeks we have enjoyed delving into the archives of Julie Lawford who has shared her posts on weight loss, lifestyle and her personal experiences as a left-hander.
All of us have posts that sit idle in our archive with perhaps a handful of visits from readers who are browsing on our blog. But I would like to offer you the opportunity to share some of your posts that you feel would be enjoyed by a different audience.. Mine.
Apart from sharing your post, I will of course share your bio, any book links, social media and of course your blog so that readers can head over and enjoy your more recent hard work.
If you are interested all I need is the links to those posts you are interested in sharing (three of four as a start to see if you enjoy the experience) and then I will take it from there. Most of you have already sent me your links but if we have just met I may come back to you. firstname.lastname@example.org
Now on with the show….
I invited Pete Johnson of BeetleyPete to share some of his archived posts and today one that I am sure most of us of a certain age will enjoy. Pete has the Tuesday midnight slot for the next four weeks (and longer if he wishes) but there are plenty of other nooks and crannies where your posts can be showcased.
Going to The Pictures – August 15, 2012 ~ beetleypete
In London’s working class districts, during the late 1950’s and well into the late 1960’s, you did not hear the phrase ‘going to the cinema’. It would always be ‘going to the pictures’, or the common slang term, ‘the flicks’. This was a hangover from the earliest days of silent film, when the flickering of the jerky, hand-cranked projectors, gave the experience this nick-name. My early memories of trips to the pictures date from about 1958, when I was taken to see films suitable for someone approaching their seventh birthday. By 1960, I was a veteran of hundreds of visits, and had seen all the blockbusters of the day, including ‘The Ten Commandments’, ‘Ben Hur’, and ‘Spartacus’. I had developed a love of film and cinema that stays with me to this day.
London was a grey place in those days. The swinging sixties were around the corner but there was little sign of them just yet. Post-war life was hard. The winters were cold, money short, and we were still surrounded by bomb-damaged buildings, and open flat areas known as ‘bombsites’. There was Television. It had two channels, was black and white, and finished quite early. The majority of the content was either too stuffy, or populist game shows and variety programmes. This was especially true during the working week, as all the effort to entertain seemed to be targeted at the weekend audience.
Escape from this was provided by a trip to The Pictures. Cinema attendance at that time was immensely popular, and every showing seemed to be to a full auditorium. You did not have to travel far to see a film, from where we lived, at least. We were spoilt for choice , with at least five cinemas within a comfortable walking distance, as well as three more accessed by a short bus trip. There was also the West End of London within easy reach, with the biggest new films, and the most luxurious cinemas.
Those readers used to the current trend for the featureless multiplex, normally tucked away as part of a drab trading estate on the outskirts of the suburbs, can have no concept of the impact of the cinemas in London at that time. With the increasing popularity of films after 1920, most of them were built from around that date, up to the Second World War, in 1939. This meant that following the architectural fashion of the day, they were predominantly of Art Deco, or Modernist design. This was in stark contrast to the rows of Victorian and Edwardian houses where we lived. Even those destroyed by bombing would be rebuilt in a similar style, to retain their landmark features. And they were landmarks indeed. Usually on a corner plot, these cathedrals of film could be seen from a long way off. After dark, their white painted exteriors, and huge neon-lit signs, would shine like beacons, through the smog and gloom of the city. There was little else to match them, except perhaps some of the larger Department Stores, like Selfridges, or Harrods, but these were not places we commonly visited.
A visit to the cinema was also comparatively cheap. With both my parents working, we could afford to go at least once every week, sometimes twice. As a treat, we would occasionally visit the West End Cinemas, to see a film in a new or different way. That could take the form of 70 mm projection, Cinerama, or early experiments in 3-D. The bigger budgets of films like ‘How the West was Won’, or ‘Spartacus’, would also justify the production and sale of souvenir brochures. These were expensive perhaps, but they were full of additional information, profiles of film stars, and stills from the making of the film. I would collect these whenever the chance presented itself, and read them over and over again. I don’t know what happened to them, and I wish I still had them today.
The experience of going to The Pictures began before you even entered the foyer. Outside, would be a uniformed commissionaire, in greatcoat and cap. his coat bearing tassels, and contrast piping. Here was someone who would not be out of place in a Ruritanian comedy, yet he would be a man of some bearing usually, perhaps with a military background. He would wear fine gloves, and give everyone a civil and deferential greeting as they passed. Posters for the film, and for the next week’s offering, would be in special frames outside the building. There might also be stills, and glossy celebrity photographs of the current film’s stars, and most exciting scenes. Thick red velvet ropes, suspended between gold-coloured posts, provided a barrier- at least a symbolic one – to wait behind, until the doors were opened.
The very doors seemed like a work of art. Brass frames, flamboyant designs, so thick and heavy that it was necessary for attendants to open them , and secure them open after the audience started to file in. Then there were the names of the Cinemas. They meant little to a seven-year old Londoner like myself, but how exotic they sounded, how mighty and prepossessing, with their Greek and Latin simple nouns, or invented names, transferred to the streets of my youth. Odeon, Rex, Regal, Ritz, Gaumont, Trocadero. These names seemed to have never appeared before in my consciousness, and applied only to Cinemas. Even now, when I know their actual meanings, I still associate them with those old buildings, first and foremost.
Once inside, I felt as if I was entering a wonderland. We were greeted by uniformed usherettes, who in my young eyes, always seemed stunningly attractive, with heavy make-up, smart hair, and friendly smiles. They would inspect your ticket, advise you which entrance to take, and tear the ticket in half, so it could not be used again. As a family, we preferred to sit in the upper balcony, which was called The Circle. In the ground floor area, called The Stalls, the seats were on one level, so the sudden arrival of a heavy set, or tall man, or a lady who chose not to remove her hat, would mean that I would have to watch the entire programme though the gap in their shoulders. Upstairs, the seats were arranged in a tiered fashion, so no matter who sat in front of me, I would always be able to see. There was also a small surcharge for sitting in The Circle (unlike live theatre, where the opposite applies) , so it made you feel a little bit grander, as you made your way up the sweeping staircases.
We came from housing which was acceptable to us at that time. We did not have fitted carpets, central heating, or an inside bathroom. These commonly accepted facilities came later, when the terraced houses were mostly demolished, to make way for the new estates of maisonettes and flats that we moved into after 1960. The cinemas were a break from this. Carpet so thick, and of such quality, my small shoes sunk into it. Ornamental design on a massive scale; balustrade staircases of great width, enormous chandeliers, wall sconces to provide up-lighting, framed pictures on the walls. Even a visit to the toilets was an experience. Rows of shiny gleaming urinals, containing small blocks of sweet-smelling chemicals, lofty stalls, with locks that declared whether they were occupied, or not. Mirrored walls above large wash basins, and paper towels from chrome dispensers. They were immaculate; no vandalism was apparent then, it just wouldn’t have occurred to us.
Once through the doors into The Circle, subdued lighting provided a coloured glow to the surroundings. It felt as if you were in another country, or in a Royal Palace. More usherettes (they were always female then) waited to check tickets, and to show you to your seat, using the small torch that they carried to light the way. Once everyone was seated, overcoats folded, most hats removed, darkness would descend, along with the complete silence, punctuated by an occasional cough, that was expected of the audience.
Noise was not tolerated at that time. Nobody chatted, there were no mobile ‘phones to worry us, even the cellophane packets of toffee popcorn (the only type available), or the small boxes of chocolates that we had been treated to, were opened with the silent skill of a master safe cracker, so as not to cause offence. Smoking was allowed of course, anywhere in the building, and most of the adults, and even some of the younger audience members smoked freely; not just cigarettes, pipes and cigars also. There were ashtrays on the backs of the seats in front of you, and they would have been emptied between performances. This was not at all unusual or strange to the audiences of that period, and a ban on smoking would have been unthinkable then. As a result of all this smoking, a blue haze would appear above us, reflected in the ceiling lights, and later in the beam from the projected film. I actually looked forward to this, as I regarded it to be an essential part of the experience, something like The Northern Lights, courtesy of nicotine.
I was then ready. An early type of air-conditioning, about which I knew nothing, ensured that the cinema was cool when it was hot outside, and central heating provided cosy warmth on cold days. I always felt just right in the cinema, it was my home from home, and a better home at that. Though the film had not even started, there would be music playing. In some cinemas, even then, there would be an organist to entertain the audience. He would sit at some incredible conglomeration of pipes, keyboards, and buttons, which I generically called ‘The Mighty Wurlitzer’.
In more modern establishments, piped music would be played. This would usually be the soundtrack to the film that would soon be shown, and would sound very loud and dramatic. Many films had a theme tune in those days, before the addition of pop songs and rap tracks became the norm. There was another chance to buy a programme, if it was that sort of film, or to purchase an ice cream, or drink. These were sold from deep trays, carried around the necks of yet more usherettes. Though they were probably the same ones that had taken the tickets earlier, I did not work that out for a long time. The tray’s contents were illuminated by a small light, and she would also have a small cash box. It was a portable, floodlit shop in miniature; purpose built for the venue, and to me, always fascinating. There would be a later chance to re-visit this lady if need be, during the intermission.
If a film was a large production, and lasted over two hours, it would break just over half way through. A sign on the screen would announce the interval, usually of fifteen minutes duration. People would shuffle along the long rows, mouthing their ‘excuse me’ to every neighbour, and head off to the toilets (called Lavatories of course) or to join the queue for refreshments. When less grand films were being shown, which was more usual, there would also be a break, as there would be two films in the programme, so the intermission would come after the first, less important film, and before the film called the ‘main feature’.
As well as two films, there would also be Pathe News, showing world events, Royal visits, or sporting triumphs, and sometimes cartoons. So it was a full evening of entertainment, and represented excellent value. At the end of the evening’s performance, the lights would be turned up, and you would be expected to stand, for the playing of the National Anthem. This may seem archaic now, but woe betide anyone seen sneaking out before the end. It was frowned upon. Britain was still a patriotic country in every way then, with a vestige of Empire, and a flourishing and loyal Commonwealth.
I would walk home, tired but happy, chattering to my parents about the film or films we had seen, perhaps clutching my glossy programme, and looking forward to the next time that I went to ‘The Pictures’.
©Pete Johnson 2015
Images Amazon and Youtube.com
About Pete Johnson
I retired in 2012, then aged 60, and moved from a busy life and work in Central London, to Beetley, in rural Norfolk. I thought I would start this blog to share my thoughts about life in general, and my new life in Norfolk in particular. My wife Julie is still working in a local bank, so I am at home most of the day, accompanied by my four year old Shar-Pei dog, Ollie.
My interests include local and global history, politics, and cinema and film. I also enjoy music; Motown, Soul, Jazz, along with many modern singers and styles.
After 22 years as an Emergency Medical Technician in the London Ambulance Service, followed by 11 years working for the Metropolitan Police in Control Rooms, it took some adjustment to being retired, and not working shifts.
I am updating this info on the 6th of July, 2017.
Ollie is now five years old, and is still a great dog to own. The blog has continued to grow, and I have now posted over 1330 articles. I currently write a bit about films and cinema, mostly short reviews and suggestions; and I did write a lot of anecdotes about my years in the Ambulance Service. I have written a lot about past travel and holidays, and also about architecture. I also post a lot about music and songs, those that have a significance in my life for one reason or another. The core of the blog remains the same though; my experiences of my new life in Norfolk, walking my dog, and living in a rural setting.
During the past year, I have been adding a lot of photos, and they are always popular.
I have had my blogging ups and downs; attracted some followers, both loyal and fickle, and gained a great deal from the whole process. I have written articles that were published on other blogs and websites, as well as trying my hand at more than 60 fictional stories. I am pleased to report that I have had two of these published in a magazine.
If you are considering starting a blog, I would suggest you give it a try. I really would. It may not change your life; but then again, it just might.
Get in touch with Pete
Next week Pete shares more about Ollie and his gang
I am sure you have enjoyed this post as much as I have and I hope you will consider commenting and sharing… and heading over to Pete’s blog where you will find even more of his entertaining posts. thanks Sally