Smorgasbord Posts from Your Archives -#NewSeries August 2022- ‘Lucky Dip’ and Do You Trust Me??

Since this series began in January 2018 there have been over 1000 Posts from Your Archives where bloggers have taken the opportunity to share posts to a new audience… mine.

The topics have ranged from travel, childhood, recipes, history, family and the most recent series was #PotLuck where I shared a random selection of different topics. This series is along the same lines… but is a ‘Lucky Dip’

In this series I will be sharing posts from the first six months of 2022

It is an opportunity to showcase your writing skill to my readers and also to share on my social media. Which combined is around the 50,000 mark. If you are an author your books will be mentioned too, along with their buy links and your other social media contacts.

How to feature in the series?

• All I need you to do is give me permission to dive in to your archives and find two posts to share here on Smorgasbord. (sally.cronin@moyhill.com)
• Rather than a set topic, I will select posts at random of general interest across a number of subjects from the first six months of 2022. (it is helpful if you have a link to your archives in your sidebar by month)
• As I will be promoting your books as part of the post along with all your information and links so I will not be sharing direct marketing or self- promotional posts in the series.
• If you are an author I am sure you will have a page on your blog with the details, and an ‘about page’ with your profile and social media links (always a good idea anyway). I will get everything that I need.
• As a blogger I would assume that you have an ‘about page’ a profile photo and your links to social media.
• Copyright is yours and I will ©Your name on every post… and you will be named as the author in the URL and subject line.
• Previous participants are very welcome to take part again.
• Each post is reformatted for my blog and I don’t cut and paste, this means it might look different from your own post especially if you are using the block editor
• If I do share a post which contains mainly photographs I will share up to five and link back to the original post for people to view the rest.

N.B – To get the maximum benefit from your archive posts, the only thing I ask is that you respond to comments individually and share on your own social media.. thank you.

To show how your post will look when featured… here is an example from the last series in the latter part of 2021

This was the first post by Diana Wallace Peach and in it she shares some of the reasons that she reclaimed her titles from a traditional publisher and went Indie. I thought that it might be interesting to those considering both options.

Goodbye Traditional, Hello Indie (Part I)

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A few blog friends and authors have asked about my decision in 2015 to switch from traditional to indie publishing. I thought it might be interesting to share a trio of posts about the factors that informed my decision. These posts are five years old, but my opinion remains the same. If this post, Part I, captures your attention, you can follow the link below to the 2nd and 3rd in the series.

Part I: Pros of traditional publishing

Part II: Cons of traditional publishing (and how they compare to indie publishing).

Part III: Results

***

In 2016, I begun the process of reclaiming my traditionally published books and republishing them myself. I thought it might be useful to document my reasons, particularly for those writers dawdling at this fork in the publishing road, trying to decide which way to go.

I originally published through a small press, and I don’t want to give the impression that this was a bad deal or that the publisher did anything wrong. It was, in fact, a valuable learning experience, especially for a new author and one as clueless as I. A small press may be the perfect publishing solution for many authors, especially if the words “traditionally published” carry personal weight.

Before I dig in, it’s important to state that – with a few exceptions – this was my experience. It reflects my personality, expectations, and quirks. What worked for me might not work for you and visa-versa. In addition, each publishing house is a unique entity represented by unique individuals. It’s reasonable to assume that my comments don’t apply to every small press!

So, what was great about my small press experience?

Hands-on relationships

I wrote a book without a blog and all the valuable online information available to authors. I did zero research on publishing, knew no published authors. Basically, I knew zip. Typical for me.

I can’t speak for mega-presses, but with my publisher, I received generous personal attention. I had tons of questions, sent daily emails, and received prompt replies. The process was laid out for me, contracts thorough and easily understood, my expectations set. It was comforting to know that my endless dumb questions and new-author anxiety were treated with respect and patience.

No Upfront Cost

When working with a traditional publisher, the professional services needed to bring a book to market come at no charge. This includes all facets of editing, proofing, cover design, formatting, obtaining ISBNs, and anything else you can think of. The publisher recoups the costs when the book goes for sale and they contractually take a portion of the revenue. For a writer with few financial resources, upfront costs may be a factor. Besides not having any idea what I was doing, I also had a pitiful bank account. This way, all I had to do was write.

Professional Editing

When I “finished” my first book, I was part of a writer’s critique group. I applied all the suggestions of my cohorts, and my writing improved to the point that a publisher was interested. Yay for writers’ groups! Little did I know how much I still didn’t know.

The editing process commenced. The editor and I went back and forth for an entire year and made hundreds and hundreds of changes – literally. Working with a professional, I received invaluable lessons on the craft of writing. The process improved my book and armed me with a battery of tips to employ on future projects.

This process was highly collaborative, and I was grateful to be able to argue my case when I felt strongly about a point. I understand from a few colleagues that some publishers are less collaborative and some will exercise a contractual right to make the final call on changes.

Covers

As a clueless person, I had no resources for cover design. The publisher worked on the concept and sent me multiple drafts for comment. My contract allowed 3 changes at no charge though we made many small tweaks. I have heard that some publishing houses don’t request input on design and don’t allow changes. I know of one author who wrote a book about “coyotes” and the publisher put “wolves” on the cover. The author was stuck with the wolves.

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Contract Length

My contracts were for one year from the published date. This is a relatively short period when compared to contracts that span 3-5 years. The shorter contract is a boon in the event the relationship isn’t working, or the author or publisher wishes to terminate. My termination required a 90-day notice and there was no cost associated with ending the agreement.

My contracts were on a per-book basis with no commitment tying up future books. This is particularly important when writing a series or serial where a contract may commit future books to that publisher for the agreement’s term. An author may end up making do with the publisher or leaving books unpublished until the contract can be terminated. Contracts are important, and they aren’t all the same.

Paper Book Quality

Publishing houses will likely use printing services of a high quality. Personally, I’m satisfied with Amazon and the quality of their paperback books. However, printing houses will often have more size, style, and color options as well as better quality paper and bindings. Many professional print houses are not “print on demand” so there will be a sizable minimum order or set-up fee that may exceed what the author wants to invest. This was a significant challenge in my case.

So, Why Go Indie?

For someone who knew squat, my experience with a small press was highly instructive. The editing process improved my writing. The service was professional and respectful, the contracts fair.

Yet, publishing through a small press has significant pitfalls. As my knowledge and experience grew, it became evident to me that the challenges outpaced the advantages. Would I accept a contract with a big publishing house with a huge marketing department and a tasty advance? Um…yeah! But in the meantime, I’m going indie.

In Part II, I’ll explain why. Check it out: HERE

©D.Wallace Peach 2021

About D.Wallace Peach

Best-selling author D. Wallace Peach started writing later in life after the kids were grown and a move left her with hours to fill. Years of working in business surrendered to a full-time indulgence in the imaginative world of books, and when she started writing, she was instantly hooked. Diana lives in a log cabin amongst the tall evergreens and emerald moss of Oregon’s rainforest with her husband, two dogs, two owls, a horde of bats, and the occasional family of coyotes.

For book descriptions, excerpts, maps, and behind the scenes info, please visit:
D.Wallace Peach Books

A selection of books by D.Wallace Peach

Read the reviews and buy the books: Amazon US – And : Amazon UK – Follow Diana: Goodreads – blog: Myths of the Mirror – Twitter: @Dwallacepeach

 

Thanks for dropping in today and I hope you will participate in this celebration of blogging. You can accept my invitation in the comments below or email me on sally.cronin@moyhill.com