Smorgasbord Summer Jazz 2017 – William Price King meets Tony Bennett – Part Three – The 1960s


index

Last week we left Tony Bennett at the end of the 1950s enjoying a great career and working with some of the best in the business. However, the music industry in the 1960s was evolving and Pop, Rock and Country were making their presence felt in the charts. Jazz would never go out of fashion but the new generation of fans were being entertained with the magic of television and a wider choice of music radio stations. Tough competition for all the major and established artists, and in particularly those who were approaching their 40s.

I will hand you over to William Price King to take you through the next ten years.

Tony Bennett believed in quality; not only for his recorded material that was released but in his live performances. In 1962, with a great deal of publicity and promotion, Tony took to the stage at Carnegie Hall. Previously he had often performed seven shows a day beginning at 10.30 in the morning until late into the night. But this concert was a mammoth undertaking, featuring 44 songs including his many hits and fan favourites such as I’ve Got The World On A String. Apart from the energy and stamina needed to perform that many songs to Tony’s exacting standards, he must have been grateful for the Bel Canto technique that he had mastered as a young singer. I covered this technique in the first post in the series and you can read more about it here. Tony Bennett Part One.

I’ve Got The World On A String was written in 1932 by Harold Arlen and Ted Koehler and had previously been recorded by Bing Crosby and Frank Sinatra. Uploaded by swan2612

The concert at Carnegie Hall was a huge success and reinforced his place in the hearts of his fans both at home and internationally. Tony had already been on television in the 50s which had enabled him to reach a much wider audience, and in 1962 he was asked to sing on the initial broadcast of The Tonight Show with Johnny Carson.

For most of us who are Tony Bennett fans, the song I Left My Heart In San Francisco is probably the one that will always be associated with his particular vocal style and performance. He released it in 1962 and it would spend a year in different charts and reached number 19 on the Billboard Hot 100 providing Tony with plenty of exposure. The album of the same title however, did even better reaching the top 5 in the charts and going gold. The title track won a Grammy for Record of the Year and Best Male Solo Vocal Performance and became Tony Bennett’s signature song. Eventually it would rank 23rd in the world as the most historically significant songs of the 20th century.

I Left My Heart in San Francisco was written by George Cory and Douglass Cross in 1953 and eventually acquired by Ralph Sharon who was Tony’s accompanist and happened to be friends with the composers. Ironically the song was released at the B-side of Once Upon A Time but the radio DJs began flipping the record over to play!

In 1963 Tony released the album I Wanna Be Around which also reached the top five of the charts and both the title track and The Good Life reached the top 20 of the pop singles chart. However 1964 brought what is known as the British Invasion which included The Beatles, reinforcing the movement towards more rock in the charts.

Tony Bennett was faced with the challenge of maintaining a pop and jazz presence in the changing music scene. He released a number of albums in the next following two years including The Many Moods Of Tony, When The Lights Are Low, Who Can I Turn To in 1964, If I Ruled The World: Songs For The Jet Set in 1965 and The Movie Song Album and A Time For Love in 1966. The Movie Song Album did reasonably well at number 18 in the charts in the US, but the other albums did not perform as well.

His did have a top-40 single in 1965 with If I Ruled The World which reached number 34. Tony decided to expand his popularity into acting and featured in The Oscar in 1966 which was an experience that he neither enjoyed nor repeated. In 1965 along with many artists, Tony participated in the ‘Selma to Montgomery Marches and as a firm believer in the American Civil Rights Movement, he refused to perform in South Africa.

The 60s were to be professionally and personally difficult time for Tony Bennett. His successful collaboration with Ralph Sharon ended in 1965 as did his first marriage to Patricia. I don’t tend to focus on the personal lives of the musical artists that we feature, but I think it is important to acknowledge that the frequent and extended road trips that a performer makes to stay in the public eye, and the distractions that accompany that; put a strain on the strongest of relationships.

Musically there was a rush by the recording companies with artists such as Tony Bennett, Barbra Streisand and others who were more pop and jazz performers to integrate themselves with the new rock culture. This resulted in some ill-conceived projects that rarely did the performers any favours, including the album Tony Sings The Great Hits of Today in 1970. The experience was not a happy one for Tony and eventually resulted in a parting of the ways from Columbia Records in 1972 and a new chapter in Tony Bennett’s career and personal life.

Despite the disappointment of the later 1960s, I thought it would be a good idea to remind us all of what Tony Bennett fans think about his music. After all, at the end of the day, they are the ones who buy the records.

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A Timeless Classic!! By Beverly Praiswater on December 18, 2006

Tony Bennett’s music transcends all generations. This album is full of his finest classics from the 60’s.

The opening cut is the title song “I Left My Heart In San Francisco”. Nobody could match this version of this song. “Once Upon A Time” is heartfelt and full of pathos. “Tender Is The Night” is a glorious ballad with a haunting finale. Tony pulls out all of the stops as he builds the jazzy “Love For Sale”. “Taking A Chance On Love” is upbeat with a rousing classic “Tony” vocal. The finale “The Best Is Yet To Come” is a tour de force celebration!

This album became a Gold Record (there was no platinum in those days) and was on the best seller charts for 2-1/2 years! Need I say more?

Sometimes your parents did know best By Patricia Beninato VINE VOICE on April 8, 2000

As I’m only 33, a lot of people laugh when they see this CD in my collection (particularly among the Def Leppard and Live CD’s!). My mother adored Tony Bennett, and his greatest hits collection was a perennial feature in the car and home 8-track players. I’ve always loved this record–Tony had (and still does have) an incredible voice, and the songs featured here are the crème de la crème of pop songwriting in the 40’s and 50’s, including the immortal “I Left My Heart In San Francisco” and my two personal favorites, “Rags To Riches” and “Just In Time”. Of course, having to be “cool” as a teenager I denied Tony for many years. So laugh away if you want, kids–this album rocks in the truest sense of the word! Long live Tony Bennett!

Buy Tony Bennett Music: http://www.amazon.com/Tony-Bennett/e/B000APGV7G

For a last performance from the 1960s here is The Good Life. Originally La Belle Vie and written and released by French singer Sacha Distel in 1962, it would become better known following the recording by Tony Bennett in 1963; reaching No 18 in the US Pop singles charts and No 27 in the UK charts. Uploaded by justinpow

About William Price King.

williampriceking

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King

Download the new album.http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

You can find the other artists in the previous series here:

https://smorgasbordinvitation.wordpress.com/william-price-king-a-man-and-his-music-jazz-classical-and-contemporary-legends/

We would love to have your feedback and also your help in spreading the post around social media for us. We hope you will join us next week for part three of Tony Bennett’s story.  Thanks for stopping by.. Sally

 

 

 

Summer Jazz with William Price King – Mel Torme – Part Three – The 1950s


William and his music

It is time to pick up the story of Mel Torme’s career in the 50s and early 60s which in many respects was an unsettled and frustrating period commercially. Mel blamed the increasingly popular rock and roll music for the demise of Jazz as music of choice and even referred to it as “three-chord manure”

After leaving Capitol records in 1952, a year passed in limbo until Mel signed up with the Coral label which was a subsidiary of Decca Records. It had been formed in 1949 and had signed and released music from both swing, Jazz and the new dreaded Rock and Roll with the likes of Buddy Holly and the Crickets. Mel recorded a number of singles with Coral and then in December 1954 a live performance was recorded at the very popular Crescendo Club in Los Angeles that would mark the beginning of Mel’s many “Live” albums.

The Crescendo Club via Hollywood Pictures.The Crescendo Club via hollywoodphotographs.com

It was time for Mel to move on again and this time back to his roots with a small Jazz label, Bethlehem Records, who had released first albums for up and coming singers such as Nina Simone. Mel released a ballad LP, It’s a Blue World with Bethlehem in 1955 and this marked the first of many recordings in association with pianist/arranger Marty Paich. They formed the Marty Paich Dek-tette with a strategy to try and loosen Frank Sinatra’s hold on the charts at the time by recording little known songs that Frank had not covered as yet… This included the perennial favourite “Lulu’s Back in Town” in 1956 written in 1935 by Al Dubin and Harry Warren.

Along with recording, Mel also began to tour more including overseas visiting Australia in 1955. In 1956, a single from the live album Mel recorded with Coral, the Rodgers & Hart song “Mountain Greenery,” was released as a single in the UK reaching the top ten in time for Mel’s first tour in Europe.

On his return to Los Angeles in late 1956 Mel recorded an new LP – Mel Tormé Sings Fred Astaire with Marty Paich. This should have been a time of consolidation for Mel and a new opportunity to get a foothold in the charts. Unfortunately his record company Bethlehem was having problems and despite recording another Live Album at the Crescendo in 1957 and a further LP, Songs for Any Taste” the label went out of business. Mel returned to England that summer and cut a record for his fans there with Philips Records – Tormé Meets the British. Back in the US he signed a contract with a small label, Tops, and recorded the concept album Prelude to a Kiss in 1958. The album charted the course of a relationship with the songs linked with dialogue. One of the songs on the album is “I’ve Got the World on a String” by Harold Arlen and Ted Koehler

This was followed by a new label signing back to his Jazz roots with Verve Records where Ella Fitzgerald was recording. Over the next four years he released eight albums under the label Tormé; Olé Tormé: Mel Tormé Goes South of the Border with Billy May; Back in Town (with the Mel-Tones); Mel Tormé Swings Shubert Alley; Swingin’ on the Moon; Broadway, Right Now! (with Margaret Whiting); I Dig the Duke! I Dig the Count!; and My Kind of Music. All the albums did well with Jazz fans but were not huge sellers and by the early 60’s Mel decided to move on to the Atlantic Record Label.

A great boost to Mel’s career came along in the form of a revival in his acting career including in the television drama The Comedian and in appearances in a number of films including Girls Town and Walk Like a Dragon in 1960 with the added bonus of the title song being written and performed by Mel.

A final performance from the CD, “Olé Tormé: Mel Tormé Goes South of the Border with Billy May.” Mel Tormé is accompanied by the great Billy May and His Orchestra. Originally released on the Verve label, April 2, 1959. Vaya con Dios was composed in 1953 by Larry Russell, Inez James, and Buddy Pepper. Courtesy of davidhertzberg1

Sources
http://en.wikipedia.org/wiki/Miss_Otis_Regrets
http://en.wikipedia.org/wiki/It%27s_a_Blue_World_%28Mel_Torm%C3%A9_album%29
http://en.wikipedia.org/wiki/Mel_Torm%C3%A9
Buy Mel Torme Musichttp://www.amazon.com/Mel-Torme/e/B000APVACW

About William Price King.

williampricekingWilliam Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.
His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King
Download the new album. http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

Connect with William

LINKS
Links to website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – @wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You can explore all of William’s series at this link:

https://smorgasbordinvitation.wordpress.com/william-price-king-jazz-and-music-series/

Thank you for joining us today and for those of you who missed the Mel Torme series the first time around we hope you enjoyed the performances.

A Man and His Music – William Price King meets Mel Tormé – Part Three – The 50s


Mel torme album

It is time to pick up the story of Mel Torme’s career in the 50s and early 60s which in many respects was an unsettled and frustrating period commercially. Mel blamed the increasingly popular rock and roll music for the demise of Jazz as music of choice and even referred to it as “three-chord manure”

After leaving Capitol records in 1952, a year passed in limbo until Mel signed up with the Coral label which was a subsidiary of Decca Records. It had been formed in 1949 and had signed and released music from both swing, Jazz and the new dreaded Rock and Roll with the likes of Buddy Holly and the Crickets. Mel recorded a number of singles with Coral and then in December 1954 a live performance was recorded at the very popular Crescendo Club in Los Angeles that would mark the beginning of Mel’s many “Live” albums.

The Crescendo Club via Hollywood Pictures.

 Crescendo club. hollywoodphotographs.com

It was time for Mel to move on again and this time back to his roots with a small Jazz label, Bethlehem Records, who had released first albums for up and coming singers such as Nina Simone. Mel released a ballad LP, It’s a Blue World with Bethlehem in 1955 and this marked the first of many recordings in association with pianist/arranger Marty Paich. They formed the Marty Paich Dek-tette with a strategy to try and loosen Frank Sinatra’s hold on the charts at the time by recording little known songs that Frank had not covered as yet… This included the perennial favourite “Lulu’s Back in Town” in 1956 written in 1935 by Al Dubin and Harry Warren.

Along with recording, Mel also began to tour more including overseas visiting Australia in 1955. In 1956, a single from the live album Mel recorded with Coral, the Rodgers & Hart song “Mountain Greenery,”was released as a single in the UK reaching the top ten in time for Mel’s first tour in Europe.

On his return to Los Angeles in late 1956 Mel recorded an new LP – Mel Tormé Sings Fred Astaire with Marty Paich. This should have been a time of consolidation for Mel and a new opportunity to get a foothold in the charts. Unfortunately his record company Bethlehem was having problems and despite recording another Live Album at the Crescendo in 1957 and a further LP, Songs for Any Taste” the label went out of business. Mel returned to England that summer and cut a record for his fans there with Philips Records – Tormé Meets the British. Back in the US he signed a contract with a small label, Tops, and recorded the concept album Prelude to a Kiss in 1958. The album charted the course of a relationship with the songs linked with dialogue. One of the songs on the album is “I’ve Got the World on a String” by Harold Arlen and Ted Koehler

This was followed by a new label signing back to his Jazz roots with Verve Records where Ella Fitzgerald was recording. Over the next four years he released eight albums under the label Tormé; Olé Tormé: Mel Tormé Goes South of the Border with Billy May; Back in Town (with the Mel-Tones); Mel Tormé Swings Shubert Alley; Swingin’ on the Moon; Broadway, Right Now! (with Margaret Whiting); I Dig the Duke! I Dig the Count!; and My Kind of Music. All the albums did well with Jazz fans but were not huge sellers and by the early 60’s Mel decided to move on to the Atlantic Record Label.

A great boost to Mel’s career came along in the form of a revival in his acting career including in the television drama The Comedian and in appearances in a number of films including Girls Town and Walk Like a Dragon in 1960 with the added bonus of the title song being written and performed by Mel.

A final performance from the CD, “Olé Tormé: Mel Tormé Goes South of the Border with Billy May.” Mel Tormé is accompanied by the great Billy May and His Orchestra. Originally released on the Verve label, April 2, 1959. Vaya con Dios was composed in 1953 by Larry Russell, Inez James, and Buddy Pepper. Courtesy of davidhertzberg1

On Wednesday another featured iconic song performed by William Price King and next Saturday we follow Mel into the 60s and early 70s.

Here are Part One and Part Two of the series so far.

https://smorgasbordinvitation.wordpress.com/2015/01/10/a-man-and-his-music-william-price-king-meets-mel-torme/ Part One.
https://smorgasbordinvitation.wordpress.com/2015/01/17/a-man-and-his-music-william-price-king-meets-mel-torme-part-two-1940s/ Part Two
https://smorgasbordinvitation.wordpress.com/2015/01/21/a-man-and-his-music-william-price-king-iconic-jazz-my-funny-valentine/
https://smorgasbordinvitation.wordpress.com/2015/01/14/william-price-king-iconic-songs-of-the-last-century-stardust/

Links to the Nat King Cole series.
https://smorgasbordinvitation.wordpress.com/william-price-king/

Sources
http://en.wikipedia.org/wiki/Miss_Otis_Regrets
http://en.wikipedia.org/wiki/It%27s_a_Blue_World_%28Mel_Torm%C3%A9_album%29
http://en.wikipedia.org/wiki/Mel_Torm%C3%A9
Album covers – http://www.amazon.com/Mel-Torme/e/B000APVACW

William Price King – Jazz composer, musician and singer.

Price King Eric Sempe

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His debut jazz album is called ‘Home,’ a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

LINKS
Links to website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – @wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484