Smorgasbord Blog Magazine – Weekly Round up – Waterford Castle, Romance, Great Food, Music and a few Laffs.


Welcome to the weekly round up and I have been off on a jaunt this week. As a birthday treat we went down to Waterford, which is David’s home town for a couple of days and stayed at the Waterford Castle Hotel on its own private Island.

You reach the island by a chain link ferry which only takes two minutes and runs every 15 minutes during the day and 30 minutes at night. We had a suite overlooking the magnificent gardens and all the rooms have wonderful features introduced over the long history of the castle. Such as this fireplace with a Wedgewood insert.

History of Wateford Castle

Throughout the centuries, the Island’s strategic location, in a pivotal position near Waterford City, brought it historical fame playing a major role in the history of the region.

From the 6th century settlement of Monks to the Vikings in the 9th – 11th Centuries. Followed by Norman Invasion of 1170 were Maurice Fitzgerald became the potentate of the Island and the Fitzgerald family legacy lasted for over 800 years.

You can download the full history of the castle
Click here to download our History brochure.

The food was wonderful and we ate in their award winning restaurant on the first night – freshly sourced produce, deliciously prepared. The service was brilliant and it was a meal to remember. We were treated to some live music in the form of a talented pianist and each course was much appreciated. Certainly a stunning venue for a Wedding.

The next day we had a wonderful breakfast (great poached eggs) in an atrium overlooking the gardens, with some of the wildlife in attendance. Including a red squirrel, unusual to find in Ireland but clearly the grey squirrels who decimated the red population have not learnt to use the ferry to get to the island. As we walked to the car park, we also encountered to deer intent of feasting on the new crocus shoots.

We spent the day touring the coast and revisiting some of David’s childhood and teen haunts as well as the cottage, right on Woodstown beach where Geoff Cronin (you might have read his memoirs here) grew up. Also Dunmore and Tramore, holiday spots in the summer when the family lived in the centre of Waterford.

That afternoon we went in to the city and checked out the regeneration that took place in the 1990s up to the present day. We had a birthday tea in The Vintage Parlour Tea Rooms and I had the best Victoria sponge I have ever eaten… with fresh cream… and David had a delicious piece of apple tart. Fortified with a couple of cups (porcelain) of tea, we explored the local estate agents with a view to moving to Waterford once we sell our house here in Wexford next spring (or sooner). Certainly Waterford is on the list of options as the city has great facilities and is close to some stunning coastline.

We ended the day with dinner at The Bodega Mediterranean Restaurant and I can highly recommend, especially the monkfish scampi starter. The  food, atmosphere and service was excellent and brought back happy memories of our years in Madrid.

If you are planning on visiting Ireland I do recommend that you put Waterford on the schedule. If you are travelling with family then I suggest you book one of their lodges which sleep six people and are self-catered, but you can still eat in the restaurant or clubhouse if you wish. There is a golf course, tennis courts and fabulous walks around the island. You are central for the coastline to the south of Wateford towards Cork, and when the new bridge is completed (the longest in Ireland) later this summer, it will be a much faster trip to Dublin.

Now time to catch up with the posts on Smorgasbord you might have missed during the week.

This week Paul Andruss shares part two of his recommendations for early spring bulbs.

https://smorgasbordinvitation.wordpress.com/2019/02/16/smorgasbord-blog-magazine-the-gardening-column-with-paul-andruss-this-week-spring-bulbs-part-two-daffodils-narcissus-jonquils/

And on the subject of food…. something from the Thai kitchen of Carol Taylor.. a three course meal that should get Valentine’s evening off to a good start.

https://smorgasbordinvitation.wordpress.com/2019/02/13/smorgasbord-blog-magazine-food-and-cookery-column-with-carol-taylor-st-valentines-day-thai-three-course-dinner/

A new series of Posts from Your Archives and to kick the series off, one of D.G. Kaye’s heartfelt and heartbreaking – Memoir Bytes where she shares her childhood memories. Details of how you can share previous articles from your archives are in the post.

https://smorgasbordinvitation.wordpress.com/2019/02/15/smorgasbord-posts-from-your-archives-memoir-bytes-love-notes-and-other-words-by-d-g-kaye/

This week my guest is author Abbie Taylor who shares her inspiring story as well as some interesting responses to the questions.

https://smorgasbordinvitation.wordpress.com/2019/02/17/smorgasbord-blog-magazine-the-sunday-interview-getting-to-know-author-abbie-taylor/

Here is my response to Colleen’s Tuesday Poetry Challenge 123

https://smorgasbordinvitation.wordpress.com/2019/02/14/smorgasbord-poetry-colleen-chesebro-weekly-poetry-challenge-etheree-romance-by-sally-cronin/

Carrot Ranch Flash Fiction this week prompted 99 word stories on the subject of Valentines.

https://smorgasbordinvitation.wordpress.com/2019/02/16/smorgasbord-short-stories-carrot-flash-fiction-challenge-together-forever-by-sally-cronin/

In this week’s music column, I share a song from each of the decades that I have been listening to music… and next Friday I will be sharing the requests that you shared, the songs that you felt were the most romantic.

Now time for the round up of the posts this week that you might have missed.

An extract from Tales from the Irish Garden to celebrate romance. Queen Filigree meets the roguish Prince Ronan.

https://smorgasbordinvitation.wordpress.com/2019/02/14/tales-from-the-irish-garden-valentines-day-story-the-magic-garden-comes-to-life-by-sally-cronin/

Last year I wrote this post for USA Today Bestselling romance author Jacquie Biggar on keeping the magic of romance alive…

https://smorgasbordinvitation.wordpress.com/2019/02/14/keeping-the-magic-of-romance-alive-every-day-by-sally-cronin/

This week in the R’s of Life, part two on the subject of relationships, and the impact of a dysfunctional childhood on our ability to connect as adults.

https://smorgasbordinvitation.wordpress.com/2019/02/12/something-to-think-about-the-rs-of-life-relationships-in-a-modern-world-part-two-adulthood-by-sally-cronin/

I reviewed two books this week.. the first being The Beast Within (Mended Souls Two) by Jacquie Biggar.

https://smorgasbordinvitation.wordpress.com/2019/02/13/smorgasbord-book-reviews-the-beast-within-mended-souls-book-two-by-jacquie-biggar/

And the second book was first book in the Braxton Campus Mysteries, Academic Curveball by James J. Cudney

https://smorgasbordinvitation.wordpress.com/2019/02/16/smorgasbord-book-reviews-mystery-academic-curveball-by-james-j-cudney/

Author Updates and reviews

https://smorgasbordinvitation.wordpress.com/2019/02/11/sallys-cafe-and-bookstore-author-update-reviews-claire-fullerton-darlene-foster-and-angie-dokos/

https://smorgasbordinvitation.wordpress.com/2019/02/15/sallys-cafe-and-bookstore-author-update-reviews-jacquie-biggar-clifford-browder-and-christine-campbell/

Many foods have been labelled aphrodisiacs through history, some deservedly so…but they also tend to be highly nutritious and have a positive effect on the whole body and not just the libido.

https://smorgasbordinvitation.wordpress.com/2019/02/11/smorgasbord-health-column-foods-to-get-you-in-the-mood-for-st-valentines-day-by-sally-cronin/

This week’s chapter looks at the impact of an overgrowth of Candida Albicans on our overall health. The symptoms number around 125, and I included some of the key signs that your gut may have been compromised.

https://smorgasbordinvitation.wordpress.com/2019/02/16/smorgasbord-health-column-size-matters-the-sequel-candida-albicans-sally-cronin/

https://smorgasbordinvitation.wordpress.com/2019/02/12/smorgasbord-laughter-lines-valentine-special-you-knows-i-loves-you-right/

https://smorgasbordinvitation.wordpress.com/2019/02/14/smorgasbord-laughter-lines-valentines-day-special-and-a-parrot-with-moves/

Thank you very much for dropping in today and for your visits this week. Your comments and sharing on your own social media is much appreciated as always. Have a great week and hope to see you again soon.

Smorgasbord Blog Magazine – The Music Column -William Price King – Summer Jazz – Roberta Flack Part One.


Welcome to the start of the Summer Jazz Season where we revisit some of the amazing artists featured at the beginning of the music column back in 2015. William Price King will be taking a break from July 5th until September, but we don’t want you to miss out on the music.

The Music Column will now be posted on Tuesday mornings, just after midnight.

The first series for the summer is the fabulous Roberta Flack who has now officially retired from touring, but still delights her fans from time to time with performances.

Roberta Flack – The Early Years.

indexRoberta Flack is a musician and singer best known for her gentle arrangements and performances of Gospel, Soul, Jazz, Pop, R&B and folk music. Some of her most well-known hits include The First Time Ever I Saw Your Face, Killing Me Softly With His Song and Feel Like Making Love.

Here is one of the most haunting arrangements of The First Time Ever I Saw Your Face. The folk song was written by Ewan MacColl for Peggy Seeger in 1957. When they eventually married they would perform the song in folk clubs around Britain and whilst covered by various singers, it would not become a major international hit until recorded by Roberta Flack in 1972. It won Grammy awards for both Record and Song of the Year and it was ranked number one song of the year in 1972

Over her long career Roberta Flack has influenced and opened doors for many other female singers who were empowered by her spirit and talented dedication to outstanding music. She is a member of the Artist Empowerment Coalition which advocates the right of artists to control their creative properties and Roberta also founded The Roberta Flack School of Music in the Bronx in New York City. In partnership with the Hyde Leadership Chart School. The programme provides free music education to underprivileged students.

The Early Years.

Roberta was born in 1937 in Black Mountain, North Carolina to Laron and Irene Flack. Her mother was a church organist and Roberta and her family moved to Arlington, Virginia where she was brought up. She was introduced to outstanding musicians such as Sam Cooke through the family Baptist church. And she was influenced by one of the great Gospel singers of the day, Mahalia Jackson. Here is Mahalia’s powerful version of Amazing Grace.

By age nine Roberta began learning to play the piano. It was clear as she entered her teens that she was a very talented classical pianist and she was accepted into Howard University on a full music scholarship. At only 15 she was one of the youngest ever to enrol and it was here that she became interested in using her voice as another instrument. She changed her major from piano and eventually became the assistant conductor with the university choir. Whilst at Howard, Roberta met Donny Hathaway who would become her singing partner on hits such as Where Is The Love.

The song was written by Ralph MacDonald and William Salter and recorded by Roberta Flack and Donny Hathaway in 1972. It reached number 5 on the Billboard Hot 100 singles chart and a week each at number one on the Easy Listening and R&B charts. It also won best Grammy Award for Best Pop Performance by a Duo or Group with vocal.

Unfortunately, after graduating and continuing her studies in music, her father Laron died and to help support the family, Roberta took a job teaching music and English in North Carolina. She also taught private music lessons at her home but in the evenings and weekends her own music career began to take off in the Washington D.C hot spots.

At first she employed her wonderful musicality as a pianist and would accompany other singers including an opera singer at The Tivoli Club. During the breaks she would entertain in a back room playing piano, singing blues and folk songs with some of the pop standards of the day. These short performances developed into her own gigs several nights a week at the 1520 Club.

Roberta was still taking voice lessons and her teacher, Frederick Wilkerson told her he thought her future lay in pop music rather than in the classics. She took his advice and changed the content of her performances. Her reputation began to spread and in 1968 her professional career took off with a regular engagement at Mr. Henry’s Restaurant, in Georgetown.

Eventually Roberta was performing three or four shows a day to a very appreciative audience and that audience included some famous and influential artists of the time including Burt Bacharach and Johnny Mathis.

To close this first part of the Roberta Flack here is Hey, That’s No Way To Say Goodbye from the 1969 album First Take released in 1969. The song had been written by Canadian Leonard Cohen and released originally in 1967

Next week we follow the meteoric rise in Roberta Flack’s career in the 70s and 80s.

Buy Roberta Flack’s music : http://www.amazon.com/Roberta-Flack/e/B000APXOJE

Additional Sources
http://www.robertaflack.com/

Photographs
http://en.wikipedia.org/wiki/Roberta_Flack

About William Price King

William Price King is an American jazz singer, crooner, and composer.

His interest in music began at an early age when he studied piano and clarinet in high school. At Morehouse College in Atlanta where he grew up, he sang in the Glee Club and studied classical music. After graduation he went off to the Yale School of Music where he earned a Masters degree. From there he journeyed to New York where he created a jazz trio ‘Au Naturel’ which performed in some of the hottest venues in Manhattan including gigs on Broadway and the famous ‘Rainbow Room.’ These gigs opened doors for performances in Montreal and a European tour.

While touring Europe he met a lovely French lady, Jeanne Maïstre, who, a year later became his wife. King left the group ‘Au Naturel’ and settled in the south of France where he started a new life on the French Riviera, opening his own music school – the “Price King Ecole Internationale de Chant.” He has had the pleasure over the years of seeing many of his students excel as singers on a professional level, and some going on to become national celebrities. He continues to coach young singers today, in his spare time.

His debut jazz album was entitled “Home,” and was a collection of contemporary compositions he composed, with lyrics written by his wife Jeanne King. His second album was a Duo (Voice and Guitar) with Eric Sempé on the guitar. This album included original songs as well as well known standards from contemporary jazz and pop artists. The “King-Sempé” duo toured France and thrilled audiences for more than three years before going their separate ways. King has formed a new duo called “Clear Cut,” and is now exploring new ideas, in a smooth jazz/soul/folk direction.

In addition to singing and composing, King has been collaborating with author Sally Cronin over the past few years on her blog “Smorgasbord – Variety is the spice of life,” with the series “A Man And His Music – Jazz, Contemporary, Classical, and Legends” and now, the “William Price King Music Column.” Working with author Sally Cronin has been an exhilarating experience in many ways and has brought a new dimension to King’s creative life. King has also created a micro blog, “Improvisation,” which features and introduces mostly jazz artists from across the jazz spectrum who have made considerable contributions in the world of jazz; and also artwork from painters who have made their mark in the world of art. This micro blog can be found on Tumblr.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Tormé. King has a distinctive wide-ranging voice which displays a remarkable technical facility and emotional depth.

William Price King on Tumblr – IMPROVISATION https://williampriceking.tumblr.com

Connect with William

Websitehttp://www.williampriceking.com/
Facebookhttps://www.facebook.com/WilliamPriceKing
Twitterhttps://twitter.com/wpkofficial
Regular Venuehttp://cave-wilson.com/ 
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You can find all of the Music Column series in this directory: https://smorgasbordinvitation.wordpress.com/william-price-king-music-column/

and all the previous posts on jazz, classical and contemporary artists here: https://smorgasbordinvitation.wordpress.com/william-price-king-a-man-and-his-music-jazz-contemporary-classical-and-legends/

Thank you for tuning in today and I hope you will join us again next Tuesday for the second part of the Roberta Flack series. Thanks Sally and William.

Posts from Your Archives – The Power of Singing. It’s Far More Than Music by Jennie Fitzkee

Status


I recently invited you to share some of your posts from your archives. It is a way of giving your earlier or favourite posts a chance to be read by a different audience. Mine.  Details of how you can participate is at the end of the post.

Jennie Fitzkee has been a pre-school teacher for over thirty years, I have reblogged several of her posts because they demonstrate how a dedicated and passionate teacher can ignite imagination and a passion for books and music in the very young. Today Jennie tells the story of how singing brought comfort and connection to a child who was distressed and how singing and music can bring all of us, whatever our age, a feeling of belonging to others.

Image courtesy of Pinterest

Yesterday a child in my class had a very difficult drop-off. All the words in the world from Mom, and all her hugs and reassurances just didn’t make a dent. I was equally unsuccessful in helping Mom to say goodbye and leave. Eventually she just had to leave. And, there was her child, crying and not wanting to be consoled at all. We headed outside to the playground, and this child simply sat down on the walkway, three steps beyond the door, full of tears. I sat down right beside her, and then I started to sing. The first song was, “Oh Mr. Sun”. I sang that song so many times, yet each time I would change phrases like, “please shine down on me” to substitute the name of that child. Then, I changed phrases to name other children, the ones that she could see close by. At this point she was not crying, but certainly was not ready to play.

So, I sang again. Actually, it was non-stop singing, making up words to any tune that came into my head. I just kept singing about the children, the playground, the birds; anything that popped into my head. When I did this, I made sure the words were rhyming words. If I started a phrase, I often stopped at the rhyming word. Eventually, she chimed in to fill in that word. Then we moved to the big swing. I made the swinging match the beats of the music. This is where things changed. The swing added natural rhythm to the song. That rhythm is the core of music; it’s what brings all feelings to the surface. It is soothing, whether it makes you cry or feel good. It is the heart of passion in music. We sang, swinging in the swing, over and over again.

I kept on singing, and she sang along. She laughed when I grasped for rhyming words, or when I made up a tune that was fast or slow, high or low. Now she was part of this. Together, we sang our hearts out. Singing works! In the simplest of ways, it makes you feel good, and it is pleasurable. In a deeper way, it is very connective, bonding you to a person, a time or a place. Music does this too, but singing brings music full circle. Pretty powerful stuff.

I frequently do my singing in the children’s bathroom at school. I’ll sit on the bench while they do their business and wash their hands, and just make up something; often about our current chapter reading book, or about a math game. It’s easy and fun to sing words, any words at all. We’ll sing adding numbers, sing about the characters in books, sing about each other. A song seems to ‘cement’ words and concepts, make them more powerful. It reinforces what we have learned in a fun way. A song can be a mini lesson, much more than rhyming and syllables.

Most importantly, singing is the heart and soul of connecting with each other. There were no words to help this child when she came to school. Even a hug was rebuffed. Yet, singing brought her comfort, and that comfort allowed her to participate in so many things. I didn’t need my autoharp; the singing alone did the job. It was a wonderful morning.

©JennieFitzkee 2014

About Jennie Fitzkee

I have been teaching preschool for over thirty years. This is my passion. I believe that children have a voice, and that is the catalyst to enhance or even change the learning experience. Emergent curriculum opens young minds. It’s the little things that happen in the classroom that are most important and exciting. That’s what I write about.

I am highlighted in the the new edition of Jim Trelease’s bestselling book, “The Read-Aloud Handbook” because of my reading to children. My class has designed quilts that hang as permanent displays at both the National Liberty Museum in Philadelphia, and the Fisher House at the Boston VA Hospital.

Connect to Jennie

Blog: https://jenniefitzkee.com/
Facebook: https://www.facebook.com/jennie.fitzkee

My thanks to Jennie for sharing this lovely post with us today and look out for more next Sunday. In the meantime I hope you will head over to her blog and catch up on her current posts.

If you would like to give some of your posts from the past a little TLC then dust them off and send four links to me at sally.cronin@moyhill.com. If this is your first time on Smorgasbord then please include your links to social media. If you like the experience then we can always look at sharing more.

This is for posts of general interest rather then book promotion, although your work will feature. If you would like to promote your work here then please contact me at the email address above.

Look forward to hearing from you. Thanks Sally.

Smorgasbord Summer Jazz 2017 – William Price King meets Tony Bennett – The 1990s


We left Tony Bennett at the end of the 1980s having re-established himself in the charts and on television. With his son as his manager and reunited with his musical director Ralph Sharon, Tony was heading into the 1990s back on track.

And certainly his first album Astoria: Portrait of the Artist in 1990 was a great way to start the new decade. Released by Columbia Records the album included some classic tracks as well as some less well known. Astoria was Tony Bennett’s birthplace and several of the songs had references to ‘home and old friends’ in the lyrics such as A Little Street Where Old Friends Meet, The Folks Who Live On The Hill, I’ve Come Home Again.

I think one of the tracks that sums up the previous two decades for Tony is I Was Lost, I Was Drifting!

To get us in the mood today here is Tony with one of the songs that he has performed in the years since this album… The Girl I Love composed and lyrics by George and Ira Gershwin. tonybennettVEVO

Following this album, Tony turned his attention to paying homage to some of the great artists of the industry and in 1992 he released Perfectly Frank as a tribute to Frank Sinatra. It reached Number #1 in the US jazz chart and also reached gold status and featured 24 tracks including Time After Time, Nancy, Night and Day, The Lady is a Tramp and another Gershwin number, A Foggy Day.

The following album in 1993 also did very well. A tribute to Fred Astaire, Steppin’ Out it was also Number #1 in the jazz chart and reached gold status and both these two albums won Grammys for Best Traditional Pop Vocal Performance. This was clear evidence that the new direction that Tony was taking with his career was paying off. One of the tracks on Steppin’ Out is They Can’t Take That Away From Me by George and Ira Gershwin. Uploaded by Johnboy Jones

Here is a quote from Tony Bennett which illustrates the tenacity and commitment to his career despite the setbacks.

“Number one, don’t quit. Number two, listen to number one!”

Tony was also appearing on MTV and television alongside the younger generation of music stars and here is what The New York Times had to say about Tony Bennett in the 1990s

“Tony Bennett has not just bridged the generation gap, he has demolished it. He has solidly connected with a younger crowd weaned on rock. And there have been no compromises.”

To capitalise on his MTV exposure, Tony released his next live album in 1994 – MTV Unplugged which did extremely well in the charts reaching #48 in the US charts, #1 in the jazz chart and #11 in the Australian charts. The album also went Platinum and won the Best Traditional Pop Vocal Performance Grammy for the third year in a row with the top Grammy for Album of the Year. Not only had Tony captured the hearts of the home audience but had re-established himself as an International star.

Tony also began collaborating with the younger generation of artists and in 1994 released the single Moonglow with K.D. Lang. tonybennettVEVO

Back in the studio the next album in 1995 was Here’s To The Ladies which featured the hits of singers such as Barbra Streisand, Peggy Lee, Judy Garland, Lena Horne and Billie Holiday. As with Tony’s previous albums of this decade, it did well in the charts. This was followed in 1997 with Tony Bennett On Holiday and in 1998 Tony Bennett – The Playground.

The last album of the 90s was Bennett Sings Ellington: Hot & Cool to celebrate the centenary of Duke Ellington’s birth. It reached #1 in the jazz charts and brought the decade to a wonderful finish.

As well as consistently releasing #1 albums, Tony Bennett did not neglect his legions of fans and he toured continuously with on average a staggering 100 shows a year. He also continued with regular television shows and appearances including a PBS special Tony Bennett’s Wonderful World: Live From San Francisco. He also created the concept of a series for A&E Network Live By Request series and he won an Emmy Award for his own first episode.

It was time for an autobiography and in 1998 Tony published The Good Life: The Autobiography of Tony Bennett.

Tony’s comeback ensured that he was now financially secure and despite now being 74 years old he had no intention of retiring. He said in reference to artists such as Pablo Picasso, Jack Benny and Fred Astaire: 

“right up to the day they died, they were performing. If you are creative, you get busier as you get older.”

To end the story of the 90s here is It Don’t Mean A Thing (If It Ain’t Got That Swing) by Duke Ellington. Uploaded by Jack Miller

Buy Tony Bennett’s music: Amazon

Next week in the finale we will bring Tony up to date as we celebrate his 90th year in style.

About William Price King

williampriceking

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King

Download the new album. http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

You can find the other artists in the previous series here:

https://smorgasbordinvitation.wordpress.com/william-price-king-a-man-and-his-music-jazz-classical-and-contemporary-legends/

We would love to have your feedback and also your help in spreading the post around social media for us…we hope you will join us next week for the finale of Tony Bennett’s story.

 

 

 

Classical Music with William Price King – Leontyne Price – The Early Years.


classical music

Welcome to the last in the Classical Music with William Price King series. And to finish the series on some of the great contemporary opera singers of our time, we will be covering the life and work of American Soprano Leontyne Price. This outstanding soprano rose to international acclaim in the 1950s and 1960s, and was one of the first African Americans to become a leading artist at the Metropolitan Opera.

Leontyne Price said this of her debut at the Met: It was the first operatic mountain I climbed, and the view from it was astounding, exhilarating, stupefying.

In an interview Leontyne Price once recalled that Maria Callas had told her, during a meeting with the older diva in Paris, “I hear a lot of love in your voice.” The sopranos Renee Fleming, Kiri Te Kanawa, Jessye Norman, Leona Mitchell, the mezzo-soprano Denyce Graves, bass-baritone Jose Van Dam, and the counter tenor David Daniels, have talked about Leontyne Price as an early inspiration.

Among her many honors are the Presidential Medal of Freedom (1964), the Spingarn Medal (1965), the Kennedy Center Honors (1980), the National Medal of Arts (1985), numerous honorary degrees, and 19 Grammy Awards, 13 for operatic or song recitals, five for full operas, and a special Lifetime Achievement Award in 1989, more than any other classical singer. In October 2008, she was one of the recipients of the first Opera Honors given by the National Endowment for the Arts.

William Price King now picks up the story in the 1920s and Leontyne Price’s early years and influences.

index

After a long wait of 13 years, James who worked in a lumber mill and Katie Price, a midwife and member of the church choir, welcomed their daughter, Mary Violet Leontyne Price into the world in February 1927 in Laurel Mississippi.  She was to become the focus of their loving attention and was introduced to music at the age of three when given a toy piano leading to lessons with a local teacher. James and Katie sacrificed much to ensure that Mary’s musical talent was developed, and even sold the family phonograph to fund the purchase of an upright piano despite their daughter still being in kindergarten.

Katie Price’s influence as a member of the church choir was instrumental in encouraging her daughter’s singing.

At 14, Leontyne was taken on a school trip to hear contralto Marian Anderson sing in Jackson; an experience she later said was inspirational. Marian Anderson who was born in 1897, was one of the most celebrated singers of the 20th century. Most of her career was spent performing in concerts and recitals in major venues and with prominent conductors and orchestras throughout the US and Europe between 1925 and 1965.

Here is an example of the inspirational voice of Marian Anderson, that Leontyne Price would have heard in the early 1940s, singing a spiritual Deep River.. Marian lived to the wonderful age of 96 and inspired many young singers in the 20th century.

In her teen years, Leontyne accompanied the “second choir” at St. Paul’s Methodist Church, sang and played for the chorus at the black high school, and earned extra money by singing for funerals and civic functions.

During the war years, Leontyne worked part-time alongside her aunt in the home of a wealthy white couple, Alexander and Elizabeth Chisholm. Mrs Chisholm actively encouraged Leontyne to play the piano and also discovered Leontyne’s incredible singing voice. This led to her accompanying her at several recitals and church concerts in the state during Leontyne’s college years.

Aiming for a teaching career, Leontyne enrolled in the music education program at the all-black Wilberforce College in Wilberforce, Ohio. Her success in the glee club led to solo assignments, and she was encouraged to complete her studies in voice. She sang in the choir with another soon-to-be-famous singer, Betty Allen. With the help of the Chisholms and the famous bass Paul Robeson, who put on a benefit concert for her, she enrolled at the Juillard School in New York City. She won a scholarship and was admitted to the studio of Florence Page Kimball, who would remain her principal teacher and advisor throughout the 1960s.

In the summer of 1951, she studied in the opera program at the Berkshire Music Center and sang the title role in Ariadne auf Naxos by Richard Strauss with a German libretto by Hugo von Hofmannsthal. It combines slapstick comedy with beautiful music and the theme was aimed at appealing to a less high brow audience than traditional opera.

This is the first leading role that Leontyne Price performed during her long and illustrious career and in this slightly later recording shows the beauty of her voice.

In this aria full of despair, Ariadne, after having been left by her love Theseus, describes the land of death to which she will go to escape her pain. She welcomes death, thinking that in death she will find everything that she has been denied in life. Price is in great shape in this aria and handles the difficult high *tessitura passages very well.

The dark color of her voice is intriguing, yielding a fascinating portrait – soulful, heartfelt, melancholic – of Ariadne. A memorable moment. and a remarkable triumph.

* tessitura – The range of a vocal or instrumental part in a musical composition.

This was followed in 1952 with the role of Mistress Ford in the Juilliard student production of Verdi’s Falstaff and to her casting in the all-black opera, Four Saints in Three Acts by American composer and critic Virgil Thomson. When the opera went to Paris after its initial two week run on Broadway, Leontyne Price joined the cast of the Robert Breen/Blevins Davs revival of George Gershwin’s Porky and Bess in the title role on tour. With its major city tour including Chicago and Washington over it in the U.S, the production, sponsored by the State Department began a tour of Europe.

Summertime is an aria that Gershwin composed in 1934 for the opera “Porgy and Bess,” a brilliant mixture of jazz and song styles of blacks from the South during the early twentieth century in the U.S.

Leontyne Price was 25 years old when she recorded this. ‘Bess’ was her break-through role. Summertime is a lullaby sung by Clara to her baby in Act I, indicating that everything is going to be all right. The song is reprised in Act III, by “Bess” and Price sings it passionately with a knockout downward *glissando which climaxes this performance. Her voice is exquisite. A real treat!

*glissando – a continuous slide upwards or downwards between two or more notes.

Primarily Leontyne Price focused on a recital career, particularly because of the earlier influences of Marian Anderson and other successful black concert singers including Roland Hayes and bass baritone William Warfield.

However, the role of ‘Bess’ was to demonstrate that Leontyne Price had both the voice and performance skills to sing on the operatic stage.  This led to the Metropolitan Opera inviting her to sing Summertime at the Met Jamoboree fund-raiser in 1953 at the Ritz Theater on Broadway.. this made Leontyne the first African American to sing with the Met, although not on the actual stage of the Met. That distinction when to Leontyne’s childhood inspiration Marian Anderson who sang Ulrica in Verdi’s Un Ballo un Maschera in January 1955.

Whilst touring with Porky and Bess, Leontyne found time to also sing the premiere of Hermit Songs.

Hermit Songs is a cycle of ten songs for voice and piano by Samuel Barber. Written in 1953 on a grant from the Elizabeth Sprague Coolidge Foundation, it takes as its basis a collection of anonymous poems written by Irish monks and scholars from the 8th to the 13th centuries, in translations by W. H. Auden, Chester Kallman, Howard Mumford Jones, Kenneth H. Jackson and Seán Ó Faoláin. They are small poems, thoughts or observations, and speak in straightforward, droll, and modern terms of the simple life these men led, close to nature, to animals and to God.

The Hermit Songs received their premiere in 1953 at the Library of Congress. Samuel Barber accompanies Price on piano. The most famous of these songs is The Monk and his Cat which Price performs with sensitivity, restraint, control, and charm.


Additional sources: https://en.wikipedia.org/wiki/Leontyne_Price

Buy the music of Leontyne Price: https://www.amazon.com/Leontyne-Price/e/B000AQ1580

About William Price King

williampriceking

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King
Download the new album. http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

Connect to William

Website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – @wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You will find the previous artists..  Luciano Pavarotti, Andrea Bocelli, Kiri Te Kanawa in this directory.

https://smorgasbordinvitation.wordpress.com/classical-music-with-william-price-king/

Thank you so much for stopping by and your feedback is always very welcome. Sally

Summer Jazz – William Price King meets Ella Fitzgerald – The 40s and 50s


William and his music

Welcome to the second part of the Ella Fitzgerald story by my friend and wonderful guest contributor William Price King. William has been an International performer, composer and musician for over 30 years and has sung all the Jazz standards made so famous by the Jazz Royalty. He is on a Summer break at the moment and so I am repeating some of the earlier series for those of you who might have missed them.

Ella Fitzgerald rightly holds the crown as Queen of Jazz and her contribution to music was mirrored by her influence not only for women’s rights but also the civil rights movement during the 50s and 60s. Last week we looked at her early life and performances and now we move into the 40s and 50s.

The story continues…

Last week we looked at Ella’s early start in life that was filled with many challenges. However, following her win in a talent contest in 1935 and her subsequent collaboration with drummer and band leader Chick Webb, her career went from strength to strength.

The New York Times later wrote that Chick was, “reluctant to sign her….because she was gawky and unkempt, a ‘diamond in the rough’.” But, he offered her the opportunity to test with his band when they played a dance at Yale University. She began singing regularly with his orchestra throughout 1935 at Harlem’s Savoy Ballroom and Ella recorded several hit songs with them, including “Love and Kisses” But it was her 1938 expanded version of the 19th century nursery rhyme, “A Tiskit a Taskit,” a song she co-wrote with Al Feldman (later known as Van Alexander) that brought her wide public acclaim.

Chick Webb died in June 1939, and his band was renamed Ella and her Famous Orchestra with Ella taking on the role of nominal band leader. She recorded nearly 150 songs with the orchestra before it broke up in 1942 and Ella began her solo career. Her first signing was with the well-established Decca label and Milt Gabler became her manager. It was a time of amazing productivity within the Jazz industry and Ella recorded with some of the most popular performers of the day including Bill Kinney & the Ink Spots. They recorded ‘I’m Making Believe” and “Into Each Life Some Rain Must Fall”. Both of these recordings reached #1 on the US Pop Charts. Fitzgerald teamed up with The Ink Spots again in 1945 to record “I’m Beginning to See the Light” and “That’s the Way It Is”.

Milt Gabler brought Ella together with Jazz Impresario and producer Norman Granz and she performed regularly with his Jazz at the Philharmonic concerts. Norman would eventually take over as Ella’s manager and remained so to the end of her career; she remained at Decca until signing for Verve Records the label that Norman Granz created around her. In the meantime she would record many hits for Decca in the company of the great musicians and singers of the day including Louis Armstrong, Count Basie, Billie Holiday and Dizzy Gillespie.

With the demise of the Swing era and the decline of the great touring big bands, a major change in jazz music occurred. The advent of bebop led to new developments in Fitzgerald’s vocal style, influenced by her work with Dizzy Gillespie’s big band. Dizzy was a Jazz trumpeter, bandleader and composer who together with Charlie Parker became a huge influencer in the development of bebop and modern jazz.

It was in this period that Fitzgerald started including scat singing as a major part of her performance repertoire. In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. Scat singing is a difficult technique that requires singers with the ability to sing improvised melodies and rhythms using the voice as an instrument rather than a speaking medium.

Her 1945 scat recording of Flying Home” arranged by Vic Schoen and recorded with Dizzie Gillespie and Charlie Parker, would later be described by The New York Times as “one of the most influential vocal jazz records of the decade….Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness.”

Her bebop recording of “Oh, Lady Be Good” in 1947, written in 1924 by George and Ira Gershwin for the Broadway show of the same name, was similarly popular and increased her reputation as one of the leading jazz vocalists.

On the touring circuit it was well-known that Ella’s manager felt very strongly about civil rights and required equal treatment for his musicians, regardless of their color. Norman refused to accept any type of discrimination at hotels, restaurants or concert halls, even when they travelled to the Deep South. Once, while in Dallas touring for the Philharmonic, a police squad irritated by Norman’s principles barged backstage to hassle the performers. They came into Ella’s dressing room, where band members Dizzy Gillespie and Illinois Jacquet were shooting dice, and arrested everyone. “They took us down,” Ella later recalled, “and then when we got there, they had the nerve to ask for an autograph.” Norman wasn’t the only one willing to stand up for Ella. She received support from numerous celebrity fans, including a zealous Marilyn Monroe. This from the Marilyn Monroe Video Archives.

“I owe Marilyn Monroe a real debt,” Ella later said. “It was because of her that I played the Mocambo, a very popular nightclub in the ’50s. She personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”

Next week into the end of the 50s to the 70s as Ella becomes a worldwide phenomenon.

Sources
http://en.wikipedia.org/wiki/Ella_Fitzgerald
http://www.ellafitzgerald.com/
https://www.youtube.com
Marilyn Monroe Video Archives
http://en.wikipedia.org/wiki/Norman_Granz

Buy Ella Fitzgerald music.
http://www.amazon.com/Ella-Fitzgerald/e/B000APP6OU

William Price King – Jazz composer, musician and singer.

williampriceking

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.
His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King
Download the new album. http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

Connect with William

LINKS
Links to website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – https://twitter.com/wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You can explore all of William’s series at this link:

https://smorgasbordinvitation.wordpress.com/william-price-king-jazz-and-music-series/

Thanks for dropping by and I hope you have enjoyed the amazing voice of Ella Fitzgerald.. Sally

 

Summer Jazz – William Price King meets Ella Fitzgerald


William and his music

We continue with the Summer Jazz  with  the First Lady of Song Ella Fitzgerald. An incredible talent and listening to her voice makes me wish that I could have heard her singing live. This series was first posted in February 2015 so although some of you may have read it before, I hope you will enjoy listening to her performances again. For new readers, during the summer months, whilst William Price King is away, I will be repeating the early artists that we featured.

Ella_Fitzgerald_(1940)A young Fitzgerald, photographed by Carl Van Vechtan in 1940

Ella Jane Fitzgerald would become ‘The First Lady of Song‘ and was one of the most popular American Jazz singers for over 60 years. During her career she won 13 Grammy awards and sold 40 million copies of her over 70 Albums. She was also was awarded the National Medal of Arts by Ronald Reagan and the Presidential Medal of Freedom by George W. Bush.

Her greatest hits include ‘Let’s Fall In Love’, ‘They Can’t Take That Away From Me’, ‘Every time We Say Goodbye’ and ‘Summertime’. Her versatility and range enabled her to sing everything from soulful ballads through to the most popular jazz standards of the day. She worked with all the big names in the business including Duke Ellington, Nat King Cole, Frank Sinatra and Mel Torme. She travelled the world performing to packed houses and the audiences loved her.

Here is her wonderful performance of Summertime.…by George Gershwin and lyrics by Dubose Heyward from the 1935 hit show ‘Porky and Bess’

Her start in life was tough but Ella would later say that she appreciated how much the difficult times had matured her and how the memories helped her build the emotion into her performances. She also understood what it was like to face challenges and setbacks in life and she treasured her success all the more for them.

Her vocal range spanned three octaves (D♭3 to D♭6). Often referred to as the First Lady of Song, the Queen of Jazz and Lady Ella, she was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

Her Early Years.

Ella was born in Newport News, Virginia on April 25th 1917 to William and Temperance (Tempie) but they split up shortly after Ella was born. Tempie and Ella moved to Yonkers, New York and Tempie moved in with Joseph Da Silva father to Ella’s half-sister Frances who was born in 1923. Jo supported the family by digging ditches and was a part-time chauffeur, while Ella’s mother Tempie worked in a Laundromat and restaurants. As she grew older Ella would take on small jobs to add to the family’s upkeep. Times were tough.  It was the height of the prohibition and the numbers racket business and Ella spent some time as a runner for some of the local gamblers.

There was however time for social activities and Ella and her friends spent time singing and dancing and would head into Harlem to watch the variety acts at the Apollo Theatre.

According to Ella’s biography on her official website her mother, Tempie died from serious injuries that she received in a car accident in 1932 when Ella was just 15. Ella went to live with Tempie’s sister Virginia and she was joined shortly afterwards by Frances when Joe suffered a fatal heart attack.

This was not a happy time for the young Ella and schooling took a back seat as she began to get into trouble with the police. Eventually she was sent to reform school which was unbearable, especially as she suffered beatings at the hands of the caretakers. Still only 15 she escaped and found herself on the streets along with thousands of others displaced by the Great Depression.

It was not until 1934 when 17 year old Ella’s luck would change. Her name was pulled out of a draw at the Apollo and she won the chance to compete on Amateur Night. Her first thought was to dance for the audience but having seen the Edwards Sisters, Ruth and Louise, considered the fastest tap dancing team in the business, she decided she could not compete and would sing instead.

The crowd was rowdy and the young Ella stood scared and ‘unpolished’ before them on stage. She asked the band to play Hoagy Carmichael’s “Judy,” a song she knew well as it was one of her mother’s favourites. As she began to sing the audience quieted down and at the end of her performance demanded an encore. She obliged and sang the flip side of the Boswell Sister’s record, “The Object of My Affections.” She won the first prize of $25.

Ella was not confident away from the stage but once in the spotlights she came alive.. She was to say “Once up there, I felt the acceptance and love from my audience,” Ella said. “I knew I wanted to sing before people the rest of my life.”

The musicians in the band that night were impressed with Ella and her singing voice. One of these was saxophonist and arranger Benny Carter. He knew talent when he heard it and he began to mentor Ella and introduce her around contacts in the music business. They would maintain that friendship and working relationship their entire lives.

Here is Ella singing I’ll Chase the Blues Away with Chick Webb in 1935.

With the backing of Benny and her growing audience of fans, Ella began entering and winning every available talent show in town. In January 1935 she won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House and there she met drummer and bandleader Chick Webb. Although he already had a male singer he gave Ella the chance to test with the band at a dance at Yale University… It was a tough crowd by in her usual style Ella won their hearts and Chick hired her to travel with the band for $12.50 a week.

Ella was on her way…..next time we will look at the rest of the 30s and the 40s as she sang her way into the hearts of a nation.

Sources
http://en.wikipedia.org/wiki/Ella_Fitzgerald
http://www.ellafitzgerald.com/

About William Price King.

williampriceking

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.
His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King
Download the new album. http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

Connect with William

LINKS
Links to website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – @wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You can explore all of William’s series at this link:

https://smorgasbordinvitation.wordpress.com/william-price-king-jazz-and-music-series/

Thanks for dropping by and hope you have enjoyed part one of the Ella Fitzgerald Story. Sally

 

A Man and his Music – William Price King meets Diana Krall – the Finale


A19XKA9yzyL._SY355_

In this final part of the Diana Krall story I would like to look at her most recent work and also include some of the honours that she has received so far. It is also interesting to find out what an artist feels about their own work, so I have some quotes by Diana to include in the post. For the previous posts in the Diana Krall Story – https://smorgasbordinvitation.wordpress.com/william-price-king/diana-krall/

Here is a list of her honors so far in her wonderful career.

In 2000, Diana Krall was awarded the “Order of British Columbia.”
In 2003 she was given an honorary Ph.D. (Fine Arts) from the University of Victoria.
In 2004, she was inducted into “Canada’s Walk of Fame.”
In 2005, she was made an Officer of the “Order of Canada.”
In 2008, “Nanaimo Harbourfront Plaza” was renamed “Diana Krall Plaza.”
She is an honorary board member of the “Multiple Myeloma Research Foundation.”
Krall has been selected a Steinway & Sons Artist and performs exclusively with Steinway pianos in recording sessions, concerts, and public appearances.

Here is one of her quotes that I think sums up Diana Krall’s down to earth approach to the music industry and its demands.

“I’ve played a lot of piano bars, I sound like Humphrey Bogart, but you don’t begin at the Royal Albert Hall. You have to work very hard to be a jazz musician and you’ve got to do some things you might not want to, as in any job. I was sent to Europe and I was like a human jukebox, playing six hours a night.”

Where we left off last time….

In 2009 Diana Krall entered into a collaboration with the incredible vocalist Barbra Streisand and it was expected that combining their two very individual talents would produce a very different sound for Barbra Streisand. The album Love Is The Answer was released in the September. It was co-produced with Diana Krall’s long term musical collaborator Tommy LiPuma and featured Johnny Mandel’s arrangements of the tracks selected from the Great American Songbook.

Johnny Mandel had been in the business for several decades and had begun to play professionally in the early 40s. He had played trumpet and then trombone with the most popular bands of the day including Buddy Rich and Jimmy Dorsey. He went on to play and arrange for the top artists in the business including Frank Sinatra, Peggy Lee and also Barbra Streisand.

Whilst there is no doubt about the polished performances and finish to the album, some critics felt that it was not quite as much a departure from previous Streisand albums as expected; especially with the input from Diana Krall and Tommy LiPuma. It is perhaps understandable that with two very seasoned musicians and performers such as Barbra Streisand and Johnny Mandel that they would stay within their comfort zone.

However, Barbra Streisand has millions of fans around the world and the album became her ninth Number 1 album on the Billboard 200 and this made her the only artist to have a number one album in the United States in five different decades. The album was certified gold in November giving Barbra Streisand 51 Gold records.

Here is a track from the album If You Go Away by Jacques Brel and Rod McKuen. Uploaded by babsfan2

Buy the Album: http://www.amazon.com/Answer-Deluxe-Edition-Barbra-Streisand/dp/B002DYJAIO

In 2011 Diana Krall took a break and was in Sri Lanka for a time, returning in September 2012 to accompany Paul McCartney at Capitol for his live performance of his album ‘Kisses on the Bottom, aired live on the Internet. Also on September 13th Diana performed Fly Me to the Moon at Neil Armstrong’s memorial service in Washington D.C. Here is the song which was written by Bart Howard and a fitting tribute to a great pioneer of space.

A new album Glad Rag Doll was also released in October 2012, produced with T Bone Burnett, and featured a much older set of songs; pre-dating most of the Jazz Standards, having been written between the two World Wars. These included the title track Glad Rag Doll written by Milton Ager, Dan Dougherty and Jack Yellen, When the Curtain Comes Down by Carl Hoefle, Al Lewis and Al Sherman and I’m a Little Mixed Up by Betty James and Edward Johnson.

This departure from the Jazz Standards was Diana Krall at her most individual and also most comfortable; with her signature vocals bringing back the blues and vaudeville of the era perfectly. This was not an album for sweeping orchestral arrangements and it was stripped back to the basics of the original jazz and blues infused of course with the Krall magic. As you listen you can imagine yourself in a smoky bar watching a couple of musicians combining voice and instrument to create an intimate atmosphere. Diana also brought her husband Elvis Costello on board for this album providing ukulele, mandolin and guitar with backing vocals on the title track Glad Rag Doll. Diana said this of their work together on the album;

‘Some people might be wary of collaborating with their spouses, but I was thrilled to be working with Elvis.’ ‘The fact that he’s my husband didn’t really enter into it. There’s no power struggle in our marriage. Once we were in the recording booth, he’d give me a wink and a smile, and we had fun. Our lives get busy at home with the children, so it was lovely to have something else to share.’

Here is the title track uploaded by Alkiviadis

The most recent Diana Krall album, Wallflower, her 12th studio album was released in February 2015 by Verve records. The album is a return to the more well-known songs in recent music history, but all of course treated to the Diana Krall interpretation. Apart from the title track Wallflower written by Bob Dylan, other composers featured were artists who had inspired Diana Krall during her career such as Elton John, Gilbert O’Sullivan and Paul McCartney who had given Diana a song after their collaboration on his album Kisses on the Bottom in 2012. If I Take You Home Tonight was left off that album and Diana had this to say about the song.

“It was so great of Paul McCartney to give me that song.There’s always a few songs that don’t make an album. Not because they aren’t great. It just happens. So, I asked him if I could have it, and he just said sure.”

As another departure Diana Krall invited fellow Canadian David Foster to join her on the album. David is CEO of Verve records but also a 16-time Grammy Winner. As a composer, arranger, musician, songwriter and record producer he has worked with some of the biggest names in the music industry. These included Alice Cooper, Celine Dion, Michael Buble, Josh Groban, Madonna and Rod Stewart. David Foster did the arrangements for Wallflower and also provided most of the piano parts which left Diana free to focus on her vocal performances.

I had a chance to work with David Foster whom I’ve known for a long time. I felt that this was the right time and the right person to do this kind of record with. David has a jazz background, but he’s also a great pop producer and incredible accompanist which I discovered more and more as I was working with him. … I really made it clear that I didn’t want to do a jazz record. … I wanted to do a pop record and keep the integrity of the original melody and chord changes. I don’t think I’m abandoning anything. … I’ve always seen myself as a jazz pianist first. The major influence in my life is Nat King Cole, although I don’t put myself in the same category as him. I know that some will like this album and some will not. You cannot control that. … You just want to make a beautiful record that you love, coming from an honest place, and hope that everybody else will love it.”

Here is If I Take You Home Tonight written by Paul McCartney uploaded by nehoda69

Diana Krall is the only Jazz singer to have 8 albums debuting in at the top of the Billboard Jazz Albums. She has won five Grammy Awards and eight Juno Awards.

I will leave you with a last quote from Diana about her childhood dream of becoming an astronaut and whilst she may not have taken to this route to the stars she has certainly achieved that ambition through her music.

I built rockets and became good friends with astronauts. I played for the 40th anniversary of Apollo 13 at the Smithsonian Air and Space Museum [in Washington DC]. I met Buzz Aldrin and Neil Armstrong, and I went on the bus to Orlando with a lot of space people and watched the last launch at Cape Canaveral. It was one of the most awesome things in my life. I love to ride horses though I’m not very good, but I love to ride Western-style, down the beach. Two of the few things in life outside music that make me feel freest are skiing and swimming in the cold. I went skiing recently in Dubai. That’s how hardcore I am.”

I hope that you have enjoyed this series on this incredible and very beautiful musician. If you have not listened to Diana Krall before then I hope that it has introduced her unique voice and musical gifts to your attention.

You can buy all her music on Amazon and I recommend that you bring her magic into your lives.

Amazon: http://www.amazon.com/Diana-Krall/e/B000AQ6RNS

More information about Diana Krall – www.dianakrall.com

http://cs.wikipedia.org/wiki/Diana_Krall
http://en.wikipedia.org/wiki/Diana_Krall

Diana Krall – Tour Dateshttp://www.dianakrall.com/tour-dates

About William Price King

Price et Eric au Studio Marilyn

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His jazz album, ‘Home,’ is a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

His latest album Eric Sempe and William Price King is now available to download. The repertory includes standards such as “Bye Bye Blackbird” (a jazz classic), Sting’s “Englishman in New York,” Queen’s “The Show Must Go On”, Led Zepplin’s “Stairway to Heaven” and other well-known jazz, pop, and rock classics.

William and Eric Sempe have also brought their own magic to the album with original tracks such as Keep on Dreaming and Red Snow with collaboration with Jeanne King

Download the new album.http://cdbaby.com/cd/williampriceking

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area.

You can find the other artists in the previous series here:

https://smorgasbordinvitation.wordpress.com/william-price-king-jazz-and-music-series/

We would love to have your feedback and also your help in spreading the post around social media for us.. thanks and hope you will join us next time for the start of a new series on the superstar that is Tony Bennett.

A Man and his Music – William Price King meets Quincy Jones – 1980s


In part four of the Quincy Jones story, William Price King explores the relationship that Quincy formed with some of the most iconic names in the music industry. Also how he used his influence to produce one of the top selling singles every released.

QJ Awards

Quincy Jones has now been at the peak of his musical career for the last 20 years having worked with the top artists in the industry.

In 1979 Quincy had produced Off The Wall with Michael Jackson for Epic Records. The two men had become friends after working on The Wiz together. They recorded the album between December 1978 and June 1979 and released it in the August. Michael Jackson had collaborated with other songwriters and composers such as Paul McCartney and Stevie Wonder. He had also written three of the tracks himself including the Grammy winning Don’t Stop ’til You Get Enough. Five singles were released from the album becoming chart hits and over 8 million copies were sold. This cemented Michael Jackson as an International superstar and Quincy Jones as the most sought after record producer in Hollywood.

In 1980 his album The Dude won three Grammy awards. Collaborators on the album included vocalist James Ingram on two of the tracks; Just Once and One Hundred Ways. Razzmatazz with vocals by Patti Austin reached No. 11 in the UK singles chart and received a great deal of play time in the US… The album won a Grammy for Best Instrumental Arrangement, Best R&B Performance by a Duo or Group with Vocal and Best Instrumental Arrangement (Accompanying Vocalists).

Here is Patti Austin with Razzmatazz.

Quincy now settled in for the next ten years as head of his own label Qwest and putting his own releases on the back burner he focused on producing for other artists.

This included one of the bestselling singles of all time. We Are The World is a charity single written by Michael Jackson and Lionel Ritchie and produced by Quincy Jones and Michael Omartian for the album of the same name We Are The World. Quincy had used his influence to draw in most of the top American recording artists of the day to raise funds for the victims of Ethiopia’s famine. When asked how he had managed to make this multi-talented cast of singers work harmoniously he explained that he had taped a notice on the door at the entrance. “Check Your Ego At The Door”.

It sold in excess of 20 million copies and is one of less than 30 singles to have sold at least 10 million copies worldwide.

Quincy and Michael Jackson worked together again in 1982 on the bestselling album Thriller with 40 million sold. Six of the singles were in the Top Ten including Billie Jean and Beat It.

In 1987 they teamed up again for Michael Jackson’s 7th studio album Bad and Michael not only composed nine of the eleven tracks but also received co-producer credit for the whole album alongside Quincy. The album received six Grammy nominations and won two. It was to be the successful team’s final collaboration.

One of the most successful singles… Billie Jean from the album Thriller.

On hearing of Michael’s death, Quincy said the following:

‘”For Michael to be taken away from us so suddenly at such a young age, I just don’t have the words. Divinity brought our souls together on The Wiz and allowed us to do what we were able to throughout the ’80s. To this day, the music we created together on Off The Wall, Thriller and Bad is played in every corner of the world and the reason for that is because he had it all…talent, grace, professionalism and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I’ve lost my little brother today, and part of my soul has gone with him.”

Another star that Quincy continued to work with during the 80s was Frank Sinatra and in 1984 they produced L.A. Is My Lady. After their long and successful artistic partnership Quincy had to say this about this megastar.

“Frank Sinatra took me to a whole new planet. I worked with him until he passed away in ’98. He left me his ring. I never take it off. Now, when I go to Sicily, I don’t need a passport. I just flash my ring.”

 Here is Frank Sinatra with the Quincy Jones Orchestra L.A. Is My Lady.

In 1985 a film arrived in the cinemas that was to take the world by storm; Stephen Spielberg’s adaptation of the novel, The Colour Purple. Starring Whoopi Goldberg and Opray Winfrey the movie received eleven Oscar Nominations. Quincy Jones wrote the score for the film and he also co-produced the musical adaptation of the novel which opened at The Broadway Theater in New York in 2005 The other producers were Scott Sanders, Harvey Weinstein and Oprah Winfrey. It was nominated for five 2006 Outer Critics Circle Awards including Outstanding Broadway Musical and Outstanding New Score. In the same year the show was nominated for eleven Tony Awards including Best Musical and Best Original Score.

In 1989, Quincy Jones was presented with the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame. With a wonderful career and many accolades and awards behind him, Quincy was playing is way into the 1990s with so much more to come.

To end this chapter in Quincy Jones story here is Miss Celie’s Blues from The Colour Purple.

My thanks to those who have uploaded videos to YouTube.

Buy Quincy Jones Music.

http://www.amazon.com/Quincy-Jones/e/B000AQ0MV6

Sources and information on tours and news for Quincy Jones.
https://en.wikipedia.org/wiki/Quincy_Jones
http://www.biography.com/people/quincy-jones-9357524
http://www.quincyjones.com/

About William Price King

pricestudio

William Price King is an American jazz singer, musician and composer. Originally he studied classical music and opera but over the years his style has evolved to what many refer to as the ‘sweet point’ where music and voice come together so beautifully.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Torme. His debut jazz album is called ‘Home,’ a collection of contemporary songs and whilst clearly a homage to their wonderful legacy it brings a new and refreshing complexity to the vocals that is entrancing.

William is currently in France where he performs in popular Jazz Venues in Nice and surrounding area. His album ‘Home’ is available to download and he is currently working on his new album available later in 2015.

LINKS
Links to website – http://www.williampriceking.com/
Facebook – https://www.facebook.com/WilliamPriceKing
Twitter – @wpkofficial
Regular Venue – http://cave-wilson.com/
ITunes https://itunes.apple.com/us/artist/william-price-king/id788678484

You can find the previous post for Quincy Jones and the other series including Nat King Cole, Mel Torme, Roberta Flack, Nina Simone, Ella Fitzgerald and Sir George Shearing in this directory.

https://smorgasbordinvitation.wordpress.com/william-price-king/

We both would be very appreciative if you could leave a comment and share this new series on social media – Twitter and FB in particular. Many thanks Sally and William.