Smorgasbord Blog Magazine – Music Column – The Breakfast Show – 1960s Hits Part One – Special Guests Ann Patras, Darlene Foster

Over the last four weeks we have been featuring the hits in the charts of 1960-1962. We have also included some of the notable events in those years for the up and coming stars who were centre stage at the time. You can find these posts:The Breakfast Show with hosts William Price King and Sally Cronin

We will be sharing the music of the 1960s until the end of May before moving on to the 1970s. Participate in the spin-off shows and share your memories of the music of the 60s. An opportunity to share your work and here are the details: The Breakfast Show 2021

Our first guest today is Ann Patras who shares her love of music from an early age and a track that is close to her heart.

Music in my Life – Ann Patras

This was taken on the veranda of the Atlantic Hotel adjoining Magaluf beach, Mallorca in 1968. I first went there with my grandmother when I was 11, when the Atlantic was the ONLY hotel there. (I wouldn’t go to Magaluf now if you paid me!)

Like you, Sally, my life was filled with music from the year dot. We had a Radio Relay speaker in our living room which played all the BBC channels, but from 7 o’clock at night we had to use the transistor radio to get Radio Luxemburg, which was the only radio source of pop music for years.

We had a cabinet Décor record player in our front room, which was then joined by a reel-to-reel tape player. We played anything from big band crooners and popular soloists to early pop music.

I was seventeen when I recognised the need for quality stereo equipment. I was at my cousin Tony’s house who was/is a ‘sound expert’ and we were listening on his amazing set-up to Sgt Pepper’s Lonely Hearts Club Band when the track ‘Good Morning, Good Morning’ came on. I couldn’t believe it when at the end of the track I heard a hunt galloping across the room from the left speaker and disappearing off behind the right one. For my 18th birthday I was given a proper hi-fi system.

Apart from regular stuff, we used to buy ‘Sampler’ LP records which contained tracks ranging from soloists, through groups to film theme tunes. I used to love these LPs as they introduced me to so many artists in different genres that I probably wouldn’t have otherwise come across.

Although I have hundreds, there are two songs in particular which remind of those sixties music days. Obviously Good Morning is right up there at the top, but the other is by my dear departed mum’s favourite artist, Tony Bennett. (Who is still singing live, aged 94 at the time of writing!) I absolutely love his original rendition of “A Taste of Honey” Tony Bennett

These days my preferred listening is 70s/80s rock music, although occasionally something current can grab my attention, as proven when I gave my son a lockdown haircut earlier this year while dancing to Uptown Funk. (A must see video)

Ann Patras has written three memoirs of her life in Africa..What started out as a two-year contract in Zambia, resulted in her living in Africa for 31 years.The onset of those 31 years came with some surprises. She didn’t know anything about the place they were moving to (1980 was light years before the internet), if she had known she might not have agreed to go. Within days of arrival in Zambia she was horrified to find they didn’t have English-type pubs, toilet rolls were an endangered species, ants were the size of small cats and there was a fly whose larvae ate you from the inside out if you didn’t iron all your laundry. Yes, even socks!

Maintaining the sunshine theme she now lives in Spain, with the same weird-sounding husband and writes books about all their crazy experiences.

Read the reviews and buy Ann’s books: Amazon UK –  And:Amazon US – Follow Ann:  Goodreads – Website: Ann Patras Author – Facebook: Ann Patras Author

The second guest today is Darlene Foster who shares her memories of music on the radio and listening to Country and Western Music.

A teenage Darlene

I was raised with music in the house. We didn’t have a TV so the radio was on all the time. My cowboy dad loved country and western music so the likes of Johnny Cash, Roy Rogers and Gene Audrey is what he enjoyed. Then Elvis came on the scene, initially as a country singer, and introduced rock and roll to our house. My first album, Blue Hawaii, was a gift from my parents. I was heartbroken when he had to join the army. As a teenager in the 1960s, I became aware of the anti-war movement and felt strongly about it. It was reflected in my choice of music at the time. Where Have All the Flowers Gone, was a favourite of mine. Although many performers have recorded this meaningful Pete Seeger song, Peter Paul and Mary’s version is the one I love the most. I was delighted to see them perform this and many of their great songs years later. This song still makes me emotional when I hear it as it is as relevant today as it was back then.

Here is my choice for the 60s songs. “Where Have All the Flowers Gone” by Peter Paul and Mary recorded in 1962. I could not find a video from back then but here is one from a performance later. I was lucky to see them perform this song, and many others I love, when they were at this age.


Growing up on a ranch near Medicine Hat, Alberta, Canada, Darlene Foster dreamt of writing, travelling the world, and meeting interesting people. She also believed in making her dreams come true. It’s no surprise she’s now the award-winning author of Amanda Travels, a children’s adventure series featuring a spunky twelve-year-old who loves to travel to unique places. Readers of all ages enjoy following Amanda as she unravels one mystery after another. When not travelling herself, Darlene divides her time between the west coast of Canada and the Costa Blanca, Spain with her husband and entertaining dog, Dot.

A selection of books by Darlene Foster


Find out more about Darlene’s books and read the reviews: Amazon US – And: Amazon UK – Website/Blog: Darlene Foster WordPress – Goodreads: Goodreads – Twitter: @supermegawoman

Join us tomorrow for special guests John W. Howell and Jennie Fitzkee with their memories and favourite music of the 1960s

Thanks for joining us today and as always we would love your can all the Tuesday Breakfast Shows so far in the directory Here


Smorgasbord Blog Magazine – The Music Column -William Price King – Summer Jazz – Diana Krall Part Three

Welcome to part three of the Diana Krall story and William takes us into the new millennium and a move away from the more traditional jazz that Diana had been producing until now.


The new millennium arrived and Diana Krall was certainly one of the top Jazz artists performing at the time. There had never been any question that she was an astonishing pianist but her voice was only improving year on year combining jazz phrasing from artists such as Peggy Lee with the influence of Bossa nova artists that she worked with.

In mid-2000 Diana Krall and Tony Bennett began a 20-city tour ‘Two for the Road’ including Atlanta, Boston and Philadelphia with two sold out shows at the Hollywood Bowl and Radio City Music Hall in New York

Diana Krall commented, “It will be like a master class for me. I admire Tony immensely and to be able to watch and perform with him will be a great education for me.”

Here is Tony Bennett and Diana Krall with Alright, Okay, You Win to put you in the mood uploaded by plsdonttellmyhusband


Also in 2000 Diana recorded her sixth album The Look of Love with Verve with German composer and arranger Claus Ogerman and it was released in 2001. As one of the most prolific arrangers of the century, Otto Ogerman was very experienced across a number of fields including Rock, Pop, R&B, Jazz and Classical and had worked with some of the best in the business such as Billie Holiday and Frank Sinatra.

The album reached platinum status and was Diana Krall’s bestselling album, bestselling album of Canada, and bestselling album of 2001. It ranked number 5 in the Billboard magazine’s Top Jazz Albums of the Decade. The title track, written by Burt Bacharach and Hal David: originally sung for the spoof Bond film Casino Royale by Dusty Springfield reached number 22 of the adult contemporary chart. Other tracks included I Remember You, Dancing in the Dark, and Love Letters.

The critics were not as positive about the album as the buying public with some criticising the obvious attempt at ‘crossover’ to pop. They also felt that under the influence of Claus Ogerman, who conducted either the London Symphony Orchestra or the Los Angeles Session Orchestra on all tracks, had turned the arrangements to a more ‘easy listening’ sound. It was felt that was at odds with the performances of both Diana Krall and her various collaborating musicians such as Russell Malone and Peter Erskine.

There were some particular tracks that were highlighted as being unimaginative such as the standards I Remember You and I Get along without You Very Well. However, if you read the majority of the reviews from those who bought the album at the time, her fans disagreed with the critics, which is why the album reached Platinum status. Here is one review in particular that addresses many of the issues raised by the critics.

The Sound Of Love… By J. Lund on September 18, 2001 Format: Audio CD

Sides will perhaps be taken as to whether or not THE LOOK OF LOVE is a step forward for Diana Krall, since it does veer in style from the expected. Not to marginalize her previous albums, but I consider this CD to be a major leap forward for an already impressive talent. Note the following: 1) Diana is accompanied by an orchestra here, rather than a small jazz combo (although of course Diana still contributes piano solos). 2) Those who liked some of the finger-snapping up-tempo tunes she has recorded in the past should prepare themselves–that isn’t the mood she is visiting this time around. 3) The music generally falls within the spirit or the letter of Bossa nova, and the expected degree of subtlety in this genre is maintained from the album’s beginning to finish.

The tone of the album isn’t sombre, but it does deal with adult emotions, specifically the ups and downs of love…and as anyone who is familiar with such bittersweet gems as I GET ALONG… can attest, the latter can be particularly poignant when the singer channels such tunes’ multi-layers of heartfelt emotion effectively, as Diana does here. Throughout, Diana’s voice is a flawless gem, not so much technically–although I have no complaints regarding that–as in her power to communicate from the soul to a degree that I find approaches that of the best 1950s-vintage Frank Sinatra concept albums. As did Sinatra, Diana often sings barely above a whisper, but at appropriate times raises her singing voice for dramatic effect.

Hopefully such a departure from previous CDs is an indication that Diana isn’t going to pander to the change-resistant faction of her fandom, but rather that she will risk her popularity by exploring whatever music that she is inspired to tackle at a given point in her career. Who says a traditionalist can’t think like a progressive?

Perhaps you might like to judge for yourself with the title track from the album. The Look of Love uploaded by daou007

In the autumn of 2001 Diana Krall began a world tour and concert at the Paris Olympia was released as her first live album. ‘Diana Krall – Live in Paris. She was accompanied by Grammy nominated Anthony Wilson jazz guitarist and composer who has continued to play with her since then. Also joining her on stage were John Pisanoon on acoustic guitar, John Clayton on bass, Jeff Hamilton on drums and Brazilian percussionist Paulinho Da Costaon. The album tracks ranged from Cole Porter, George Gershwin to more contemporary artists such as Billy Joel.

live in paris

On Just The Way You Are Diana was accompanied by Christian McBride on bass with a wonderful solo by Michael Brecker on tenor saxophone. For those fans that had been unable to attend any of Diana Krall’s concerts, this was an opportunity to experience the difference between a studio produced albums vs. ‘live’ performance.

Here is Just The Way You Are from the album recorded later at the Avatar Studios in New York uploaded by Alberto Jesús Salas Oblitas

The album won the 2003 Grammy Award for Best Jazz Vocal Album and the 2003 Juno Award for Vocal Jazz Album of the Year. Billboard ranked the album at number 8 on the magazine’s Top Jazz Albums of the Decade.

Sadly in 2002 Diana Krall’s mother died of cancer within months of two of her mentors, Ray Brown and Rosemary Clooney.

Diana had met the British rock musician Elvis Costello backstage at the Sydney Opera House when she was on tour and in May 2003 they announced their engagement, marrying in just before Christmas that year. Elvis Costello had begun his career in the London pub rock scene in the early 70s and was associated with the first wave of punk rock later in the decade. Following his first album My Aim Is True he formed his backing band, The Attractions and went on to release two further albums by the end of the decade. All appeared on Rolling Stone’s list of 500 Greatest Albums of All Time.

Their marriage brought two musical powerhouses together and the result was a new album with Diana’s own compositions and Elvis’s lyrics. The Girl in the Other Room was released in April 2004 and rose to the top five in the UK and top 40 album charts in Australia. Again there was some disagreement between her jazz ‘purist’ fans and those who were enjoying the more eclectic side to her music. Those who were used to listening to her more traditional versions of jazz standards were not quite ready to embrace her own compositions despite the obvious jazz components. Tommy LiPuma and Diana Krall produced the album together and included jazz versions of blues as well as more contemporary songs by artists such as Joni Mitchell. Tracks include Stop This World – Mose Allison, title track The Girl in the Other Room with Elvis Costello, Black Crow – Joni Mitchell, Love Me Like A Man – Chris Smither.

Here is Almost Blue with lyrics by Elvis Costello originally recorded by him in 1982. Uploaded DianaKrallVEVO

As you will see from the reviews of the album the majority of Diana Krall’s fans were in favour of the new collaboration and resulting sound. album reviews

Also in 2004 Diana joined Ray Charles on his album Genius Loves Company for the song You Don’t Know Me. Verve records released Christmas Songs in 2005 followed by From This Moment On in 2006. This album provided all her fans with an opportunity to return to the jazz standards of her earlier albums and included such classics as Isn’t This A Lovely Day by Irving Berlin, From This Moment On by Cole Porter and Something’s Gotta Give by Johnny Mercer.

This was not the only production for 2006 as Diana and Elvis Costello welcomed twin sons in December of 2006.

To end this week’s post one of those classics From This Moment On by Cole Porter.

Buy Diana Krall music:

More information about Diana

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About William Price King

William Price King is an American jazz singer, crooner, and composer.

His interest in music began at an early age when he studied piano and clarinet in high school. At Morehouse College in Atlanta where he grew up, he sang in the Glee Club and studied classical music. After graduation he went off to the Yale School of Music where he earned a Masters degree. From there he journeyed to New York where he created a jazz trio ‘Au Naturel’ which performed in some of the hottest venues in Manhattan including gigs on Broadway and the famous ‘Rainbow Room.’ These gigs opened doors for performances in Montreal and a European tour.

While touring Europe he met a lovely French lady, Jeanne Maïstre, who, a year later became his wife. King left the group ‘Au Naturel’ and settled in the south of France where he started a new life on the French Riviera, opening his own music school – the “Price King Ecole Internationale de Chant.” He has had the pleasure over the years of seeing many of his students excel as singers on a professional level, and some going on to become national celebrities. He continues to coach young singers today, in his spare time.

His debut jazz album was entitled “Home,” and was a collection of contemporary compositions he composed, with lyrics written by his wife Jeanne King. His second album was a Duo (Voice and Guitar) with Eric Sempé on the guitar. This album included original songs as well as well known standards from contemporary jazz and pop artists. The “King-Sempé” duo toured France and thrilled audiences for more than three years before going their separate ways. King has formed a new duo with French/Greek guitarist Manolis, and is now exploring new ideas, in a smooth jazz/soul/folk direction.

In addition to singing and composing, King has been collaborating with author Sally Cronin over the past few years on her blog “Smorgasbord – Variety is the spice of life,” with the series “A Man And His Music – Jazz, Contemporary, Classical, and Legends” and now, the “William Price King Music Column.” Working with author Sally Cronin has been an exhilarating experience in many ways and has brought a new dimension to King’s creative life. King has also created a micro blog, “Improvisation,” which features and introduces mostly jazz artists from across the jazz spectrum who have made considerable contributions in the world of jazz; and also artwork from painters who have made their mark in the world of art. This micro blog can be found on Tumblr.

His vocal mentors are two of the greatest giants in jazz, Nat King Cole and Mel Tormé. King has a distinctive wide-ranging voice which displays a remarkable technical facility and emotional depth.

William Price King on Tumblr – IMPROVISATION

Connect with William

Regular Venue 

You can find all of the Music Column series in this directory:

and all the previous posts on jazz, classical and contemporary artists here:

Thank you for tuning in today and I hope you will join us again next Tuesday for the last part of the Diana Krall story –  Thanks Sally and William.